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Robert Hyma

Robert Hyma

Just a writer doing writerly things.

| Weekly Post-Eds |

Weekly Post-Ed #26

by Robert Hyma March 17, 2022
written by Robert Hyma

A HERITAGE CLASSIC

            Last Sunday, the 2022 Heritage Classic was held in Hamilton, Ontario between the Toronto Maple Leafs and the Buffalo Sabres. The Heritage Classic was the first in outdoor games to be hosted during the NHL regular season, a tradition that has kept on and has since grown to include the Stadium Series and the New Year’s Day Winter Classic, bringing hockey back to its roots as a sport that began on frozen lakes and ponds.

            One of the greater attractions to this year’s Heritage Classic was the inclusion of the NHL’s greatest player, Wayne Gretzky, as one the commentators during the game. While most hockey commentating includes feverish and passionate play-by-play calls and insightful color commentary about a recent play on the ice, this was an opportunity to spend 2.5 hours with the greatest there ever was (the all-time scoring leader in points, assists, and goals).

            Like a cherished storyteller sitting around a campfire, Wayne Gretzky told stories about what it was like playing in his early days, how his father collected every piece of memorabilia – not with the intention of auctioning it off, but just because he loved his son. He spoke about how flat the curve of his hockey stick was, that he found it easiest to pass without having to worry about shooting wrist shots or snap shots; everyone else could score if he could pass them the puck, he figured. If he had to shoot, he preferred a slap shot, something that was easier with a flattened curve. He spoke about players of the past, ones that have since passed away like Dale Hawerchuk, and stories of playing on that legendary Edmonton Oilers team in the 1980s that included the likes of Mark Messier, Jari Kurri, and Paul Coffey.

            Even his co-commentators (that included Eddie Olczyk, Kieth Jones, and play-by-play commentary of Kenny Alberts) took the opportunity to turn away from the scheduled game – which was a fairly entertaining matchup between a playoff-bound/struggling Toronto Maple Leafs team and a near-bottom-of-the-standings Buffalo Sabres group – to become fans themselves.

            By the first intermission, I think most of the Heritage Classic viewership thought the game was secondary to the man on the microphone, and we were all fine with it.

Just because I love the process of logo-making, this infographic explains all the chosen elements that went into the 2022 Heritage Classic logo.

            I think what was the most astounding about Wayne Gretzky on Sunday was just how humble and heartwarming he was throughout his stories. He had a genuine care for the players and the game, was happy to share any story asked of him. Two and half hours flew by and, if it wasn’t for the frenzied final 3-minutes of the hockey game, most of us would have forgotten about the final horn and that the game was over.

            I was thankful the NHL scheduled an official hockey game in the background while we all listened to campfire conversations with Wayne Gretzky. Hopefully, next time the guest commentator isn’t someone considered the GOAT. You know, a regular player, maybe someone like Mario Lemieux, just in case we wanted to watch the outdoor game instead.

            Jeez, there’s always next year.

***

SOFT STONE

            While sitting for my haircut, the stylist talked about her daughter selling chakra bracelets. I’m never assigned the same stylist twice (because I’m a beatnick when it comes to scheduling haircuts and simply call a day or two before in order to schedule one), and the conversations that start with these complete stranger always mystify me—not so much in what comes about, but in what people are willing to share with complete strangers. So, as I sat in the chair, being pumped to the correct height for a scissor cut, my stylist spoke about her daughter’s latest business venture selling these bracelets.

            “They’re made of a soft stone,” the stylist kept telling me, which was a point she made sure was emphasized. “I didn’t believe in all that spirituality stuff, but then it started to rain and the evil was coming out of my bracelet.”

            I blinked. “The evil was coming out of your bracelet?”

            “Yeah. My daughter warned me not to get it wet because I was a wearing a soft stone, but I didn’t believe her. All the sudden, my wrist started feeling funny, and my daughter ripped off the bracelet and told me it was the evil coming out.”

            Baffled, I asked, “What evil?”

            “Oh, I don’t know, but you don’t want to know. Anyway, my daughter ripped it off because I couldn’t get it wet.”

            “The soft stone?”

            “Right, the soft stone.”

            “So, why wear the bracelet if the evil comes out of it?”

            “It only comes out when it gets wet. It’s a soft stone.”

            The conversation died here as I wished her daughter luck on her venture, but I think I was defeated by this point in my day.

            You see, three hours earlier, I was in another chair, this one an optometrist at an eyeglasses chain store (once again, I chose this establishment to get an appointment on the quick). While examining a throbbing pump on my eyelid with her robotics (which is what medieval torture dungeons must have appeared as long ago), the lady optometrist turned my head in the light and reached her naked fingertip towards my eye.

            “Umm,” I protested, “shouldn’t you be wearing a glove if you’re going to touch my eye?”

            “I just washed my hands,” she said, as if this sufficed for reason to touch a complete stranger’s eyeball. “Why, would it make you feel better if I wore a glove?”

            “Yes,” I said.

            And with a unabashed harrumph, she put on Latex and continued the operation, much less diligently than I had liked—she prodded my eye like a squishy fidget toy for children.

            Back in the present, I looked to my stylist in the mirror, silently Clip, Clip, Clipping my hair. Here were two capable adults, a stylist employed to use a pair sharp sheers and an optometrist in charge of tending to one of the more sensitive and complex of human organs (the eyeball), and yet I was nearly poked with a purely-manicured finger and told about the evil that spawns from a wetted Chakra bracelet.

            I looked at myself in the mirror, my hair seemed to be cut uneven on one side. I might have protested, but instead I sighed and looked to my stylist snip, snip, snipping away and said, “It was a soft stone?”

            “Oh yes, a soft stone.”

            “I’ll take one,” I said.

            “Oh, she’s all sold out.”

            “Just my luck.”

            “Oh, they’re not for luck. It’s a–“

            “I know. A soft stone.”

            I’m not sure what that lesson is here, but I feel it is important to state that I learned one.

            Whatever it was.

            And I’ll be sure to call ahead in the future, just in case that helps, too.

***

  • “Born on a Train” by Samia & Rachael Jenkins
  • “Move Me” by Half-Alive
  • “Fisher Island Sound” by Beirut

***

Wishing everyone as well as you can be. You’re not alone out there,

March 17, 2022 0 comments
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| Weekly Post-Eds |

Weekly Post-Ed #25

by Robert Hyma March 8, 2022
written by Robert Hyma

TO (NOT) REVIEW

            Firstly, I don’t write reviews. To my mind, there are two types of reviews, one of which is pointless: Socially Aware and Critical reviews

            Critical reviews are the most interesting to read/watch/overhear friends talk about because at least the subject matter lies with the piece of art in question. 

  • Did the plot make sense? 
  • Did the ending lag? 
  • Were there any loose ends that didn’t make sense? 
  • Was there more fluff to the movie than there needed to be? 

            These are all potent questions and worth discussing so long as the criticism applies to the work as a function of art (the craft it pertains to).

            Socially Aware reviews are entirely useless. These reviews seek to explore the public impact of said movie/book/thing. Their aim to act as the barometer for the times that something arrives into the world. 

  • Does the world need something this dark/stupid/emotional right now?
  • Should your children watch something like this? How about the elderly or emotionally disturbed?
  • What does it say about the writer/director/producer/actor that they participated in making something like this?

            These questions are based on intrigue, upon a feeling, and has nothing to do with the piece of art in question. Also, it’s nearly impossible to gauge how something fairs in the immediate time of release (remember the Roger and Ebert reviews of The Graduate that said Simon and Garfunkel’s original songs for the movie would never hold up?—yeah, stuff like that). These reviews act as a type of social policing for how art ought to be perceived, which defeats the purpose of art in the first place:

            Art is meant to be experienced.

            In fact, I believe Critical reviews can be just as dangerous to an audience that seeks guidance before experiencing something. There’s something to be said about a culture that has a review/hot-take of some publication or YouTube channel flooding social media feeds right before/during release. We’re willing to put aside curiosity for the sake of certainty, which is so tempting when those that are “experts” have so much to say, and immediately, about something before anyone else might experience it.

            I’m not interested in having an opinion before seeing something.

            That’s why I don’t write reviews; it isn’t meaningful for me.

***

ANYWAY, SO ABOUT THE BATMAN…

            I loved this movie! The tone was immediately darker and more grimy than previous film iterations, and I liked the serial killer/noir atmosphere of the movie. I’ve always been a big fan of the Christopher Nolan trilogy, and I couldn’t wait to see how Matt Reeve’s would do things differently. The Riddler was an intriguing foil/mirror to Batman’s mission, and the twists throughout made the film enjoyable even with a 3-hour runtime.

            This movie has flaws, but what story doesn’t? What makes The Batman so gripping is that it committed to a darker Gotham City, a place where oppression and corruption has bled onto its citizens as well as the villains and heroes. It’s a visceral world on screen and should not be missed. Even in terms of the protagonist, I can’t speak enough to the achievement of capturing the darkness and the light of a Batman/Bruce Wayne as he sorts through a life spent in pursuit of righting the wrongs of his past and that of the city.

            That’s why Batman will always be one of the most enticing heroes: he is the mortal in all of us donning the cape and cowl, attempting to become something bigger than what he could ever be in his own skin. This is a movie about retribution, about inflicting the pains of a scarred life upon those that wish to do the same, but it is also a movie about hope. It’s about stepping into the light and recognizing that we can become more than the shadows, that in spite it all, we can become a beacon.

            I didn’t expect such a dark movie to be so hopeful towards the end, especially to see a portrayal of Batman have a true character pivot. A new choice was made, a new Batman exists from this point forward in Matt Reeve’s interpretation.

            And I’m excited to see where all of this leads next. Kudos on a great film Matt Reeves and all the filmmakers.

***

RAID DAY: “VOW OF THE DISCIPLE” AND THE JOY OF PUZZLE SOLVING

            There’s an event in the gaming world unlike any other. After each expansion in Destiny 2, there comes a special mission that requires the teamwork of six people joining up as a fireteam called a Raid. Each Raid has its own rules, a new set of puzzles and mechanics to discover, none of it hinted at or explained to the player. To participate means to use puzzle solving in order to complete each encounter, something that is not easy to do and is, from the past few Raids I’ve watched, an exciting exhibition in teamwork and perseverance.

            I haven’t participated in a Contest-Mode Raid (Raid Launch Day) because I’m not a serious player of Destiny 2. I’m a casual player who enjoys Strikes and each Expansion’s Campaign (by the way, The Witch Queen is one of the best campaigns in the game’s history). So, when it comes to Raid Day, I snuggle up to my computer monitor, turn on a few Twitch streams, and watch as each team attempts to complete the Raid.

            Teams must use a variety of skills and past knowledge to complete each encounter. Putting together the logic behind symbols, defeating a set order of enemies, and how it all links together in a cohesive story mission is a fascinating process. It often requires a process of elimination, figuring out what works and what doesn’t in order to put aside a current theory or idea that isn’t progressing the encounter.

            Watching this really reminds me of the creative process, honestly. Without an idea of what the rules are, you set about to discover them as if in a fog, without knowing anything except that the farther you get, the closer you must be to solving the puzzles within. Novelists often work blind, having an idea of where a story ought to go, but since the length is so massive, it’s nearly impossible to account for each detail before beginning. Eventually, the writer gets lost, and has to improvise or make a series of decisions that, hopefully, progress the plot forward in a way that keeps the intention of the story intact.

            “Vow of the Disciple” used a myriad of symbols that needed to be memorized and communicated amongst fireteams, none of which was explained or defined. Allowing the swarming Hive to damage an obelisk, or to act too slowly when searching for a specific Fallen enemy to kill, made the first encounter Wipe. The order of operations is always paramount in a Raid, and to watch teams figure out what progresses encounters and what does not speaks to the creative process in a way that most video games never allow players to access.

            It feels like the architect of each Destiny 2 Raid is asking players to discover how to defeat enemies just as he/she figured out how to craft said Raid.

            Raids take a long time to decipher, often lasting 7 to 8 hours before the first team completes one to become the coveted World’s First. It’s a frantic race and is also some of the most fun watching gamers play the game they love.

            The reception to “Vow of the Disciple” has been unanimously positive. Along with the success of The Witch Queen expansion, Bungie (the developer) is making something truly remarkable in the gaming space.

            I’m looking forward to whatever they make next, which, as several job postings have hinted at, means an entirely unknown game in the future. But that’s after the story of Destiny is complete.

            One step at a time, Guardian.

            Well done, Bungie! 

***

            This week’s new music is the entire The Batman original soundtrack by Michael Giacchino. It’s a masterpiece score and worth relistening to. However, I’ll post some of the more notable tracks below:

  • “The Batman” by Michael Giacchino
  • “The Riddler” by Michael Giacchino
  • “Catwoman” by Michael Giacchino
  • “Crossing the Feline” by Michael Giacchino
  • “Can’t Fight City Halloween” by Michael Giacchino
  • “Sonata in Darkness” by Michael Giacchino

***

Wishing everyone as well as you can be. You’re not alone out there,

March 8, 2022 0 comments
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| Weekly Post-Eds |

Weekly Post-Ed #24

by Robert Hyma February 2, 2022
written by Robert Hyma

PUT ME IN, COACH

            The conversation of coaching came up last night in the locker room at Sunday Night Hockey, always the philosophers’ circle. The premise was this: 

            “I don’t know how someone can coach a kid who isn’t his own. When it’s your kid and he wants to play hockey, you coach him because he’s yours: he’s coming home with you and you have to look after him. But I don’t know who has the patience to coach other kids, especially the ones that don’t have a clue. Who has patience for that?”

            I know the answer because I am, in fact, one of those people. I’m patient and tolerant of childhood development (it’s also my job as a preschool teacher), even though I don’t have kids of my own. 

            Why is that? 

            I’ve thought about it and here’s my answer: because I’m very much a kid myself and remember what it’s like to have someone look after you.

            It’s easy to dismiss a child’s behavior as chaotic and intolerable because they haven’t developed the tools that adults have. What I’ve found after years of working in early childhood education is that kids are not so different than adults. We all have needs that we want met, to voice our concerns when we may not know how to, and we act out in ways we have observed and habituated over the years. There isn’t so much different about children and adults except experience and having gone through the ringer of expectations of childhood and into adulthood.

            That’s about it: we’re still the same human beings with a hierarchy needs we must account for before going to bed each night.

            I think the chasm develops between adults and children when we can’t imagine that we were once like them. I have friends that are outright disgusted at the sight of children, often running away from them because they don’t want to put up with a toddler’s cries or seepages or smells. I find this ironic because these adults were very much the same toddlers with the same cries, seepages, and smells, but somewhere along the way came a partition, a line in the sand that said they are now “developed”. To that, I disagree. I would argue that these adults are very much the same (seepages and smells and all), but they are better at hiding that they made the mess.

            Really, that’s all adulthood is: becoming better at hiding the mess.

            What kind of person coaches kids and has patience for that? It isn’t the guys in the locker room after hockey who asked the question. This is a very distant problem because, for them, they are very much children in their own right. They haven’t shed the need to look after themselves first and foremost. I think these are men who won’t shed the spotlight for anyone else, who respond to loud stimuli, who need someone else to join in with the loudness of a joke. To them, life is a battle cry, a constant declaration of, “Hey! I’m here and I’m important!”

            Which is very much the battle cry of children. 

            Every child wants to be seen, heard, to be noticed and loved. That’s why every achievement isn’t hidden or shied away from (usually). Kids will put a drawing in your lap, tug on your sleeve to show the tower they built. Are these grand human accomplishments? No, maybe not to the adult world, but to them it is a sign that they’ve made their mark, that they are growing up and growing out. 

            To matter.

            The coaches, teachers, and caretakers of the world who undertake this upbringing understand this. They are not the entire picture, the kid is also part of it.

            There’s a sobering affect that comes with becoming a parent (so said the writer without children of his own). All the sudden, you recognize that it isn’t only your life in your hands any longer, but that of this fragile human-shaped pile of organs and soft tissue; this crying, seeping, smelly specimen that needs someone else to care for it or else it might die. When that moment of clarity arrives, it’s amazing the change that occurs in many parents. It’s an important step in the evolution of personhood, to put oneself aside for the greater good, for something bigger.

            To put it another way: to have faith.

            I’ve often envied those who believe in religion of some kind. Personally, I’m not religious, but that doesn’t mean I’m not spiritual—I do believe in something bigger than myself, which is more akin to humanism (or a faith that we’ll eventually get it together after enough atrocities and setbacks). However, I do respect those who are religious because of what religion is at its core: faith in something bigger than yourself. It means an acceptance of the unknown, of things you cannot control, to trust that there is something larger at work.

            In other words, a hope for what comes after.

            I would be remiss if I said that all coaches, teachers, etc were selfless individuals who put the needs of others before their own (which is simply untrue: many are in it for a job like any other humdrum profession), but I think there’s an extra ingredient when working with kids that recognizes the importance of passing on the torch, knowing that your experiences can perhaps help in the life of someone yet to live their own.

            To my mind, and much like faith, there doesn’t have to be reason why this is. I think some people are just imbued with the capacity to look after others and see to their development. Largely, that’s an evolution in one’s character. 

            Or maybe it’s someone who happens to tolerate cries, seepages, and smells.

            And in a locker room after hockey on a Sunday night, when no one had an answer for who would ever have patience for a such a thing, the conversation eventually moved on, no verdict reached. 

            Except, I knew.

            Because I am one of those people.

***

MONSTER HUNTER ERECT RISE

            I’ve put in over 30 hours into the PC edition of Monster Hunter Rise that launched on January 12, which is an egregious amount, something I might have felt guilty about had it not been some of the most fun I’ve had this entire winter season. My God is Monster Hunter Rise pure video game fun! Go on a hunt, hang out with a few friends online, build cool looking gear, and enjoy a robust battle system that is so satisfying to master.

            That’s all—I just wanted to plug the game again. It looks better in 4K, but it was certainly made for the Nintendo Switch, nothing beautiful; it was meant to be functional at best. I’m holding out for another addition to the franchise, something built for a more powerful console. 

            Still, Monster Hunter Rise hits the spot and I can’t say enough about it.

            30 hours well spent, in this writer’s opinion.

***

PEOPLE WHO LOOK GOOD IN HATS

            In response to the heading above, I simply recorded in my notes:

            “Fuck those people.”

            Isn’t it fulfilling to end on something completely vague and incomplete? Oh, and to mention that the art of this Weekly Post-Ed was based on this section. Isn’t this like hearing an anti-climactic ending to a great symphony?

            (Supposing this Weekly Post-Ed were like a great symphony. I’ll take the compliment anyway since you mentioned it *smile*.)

***

  1. “Alone” by Fickle Friends
  2. “Altitude” by Flight Facilities
  3. “Frankie” by Barrie

***

Wishing everyone as well as they can. You’re not alone out there,

February 2, 2022 0 comments
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| Weekly Post-Eds |

Weekly Post-Ed #23

by Robert Hyma January 24, 2022
written by Robert Hyma

AGDQ GRAND TOTAL

            What a fantastic week of gaming and charity! Through 7 days, AGDQ 2022 raised a total of $3,416,729 for The Prevent Cancer Foundation, a record high. The generosity of viewers for an event that started so small (in the basement of one of the founder’s mother’s house ten years ago), to being a huge contributor to major causes around the world is such a gratifying thing to be a part of.

            Games Done Quick returns this summer with SGDQ and I hope it eclipses the 3.5 million milestone for Doctors Without Borders. The world is a better place because of this event, no doubt about it. 

***

MARVEL FANDOM: WE’RE ALL IN THIS TOGETHER NOW

            The Marvel Cinematic Universe (Marvel’s movies and television shows) has become so numerous and robust that it isn’t easy to keep up with what’s going on. Even I watch analysis videos about the Easter Eggs in each film and episode on Disney+, paying attention like a student at a college lecture. Yet, somehow this fandom happened to me, and I think most of America.

            What’s interesting about fandom is that it takes devotion and study, something most adults would rather not give time for. “Watch Star Trek? All of it? I don’t have time.” Or, “Star Wars? How many movies are there? Oh, and then read the books for all the differences?” You’d rather take a course in World History (which might be less robust than the stories of those two franchises). And yet, all of us know the story of Iron Man and Captain America and the fight with Thanos.

            So, what made us all aware of the MCU? 

            Like any central entertainment of its time (the Beatles in the 60s, disco in the 70s etc), it was the unifying force that people talked about and experienced with one another. We watched the MCU on the big screen over the course of a decade and fell in love. Marvel movies were the spotlight attraction, and we followed the story as it was built. Perhaps movies do something that other mediums cannot. Movies are a visceral experience, much faster and easier to consume, and accessible by just about every walk of life. Not only that, but the movies were damned interesting: some heroes were larger than life like the billionaire Tony Stark, some were about the small guy with a big heart trying to do the right thing…and also gains superpowers along the way (Captain America, Spider-Man). There was a story for everyone. The MCU was exciting, entertaining, and it put forth a storyline that was easy enough to follow: 

            A group of super-powered individuals must team up through their differences in order to defeat the all-powerful bad guy.

            Anyone can follow that story. In fact, we all prefer that type of story. Sports teams, elections, religion, awards contests are all whittled down to “My favorite team has to somehow beat your team because we are the righteous ones.” We even narrate our daily lives with this narrative form, “Can you believe what my boss said to me today? I should turn around and tell that guy to…”

            And let justice be served.

            Superheroes are greater forms of all of us. They do what we cannot and we envy to be them. Like gods, they can impact the world at their will, doing mighty things. We want to be like them because, as we see it, we already are them…just without the powers. 

            All of this led to an inadvertent baptism into comic book fandom. Those that never thought they would care for the likes of Captain America, Spider-Man, Iron Man, or even the obscure (until the James Gunn movies) Guardians of the Galaxy suddenly said sentences like, “See, just like Star Lord,” and, “I can do this all day,” catchphrases from the movies. And we followed this team of superpowered misfits come together and beat the baddest of all bad guys: Thanos.

            Then, it was over. Our favorite characters leaving the silver screen, leaving the fight to whoever comes next.

            What comes next?

            Once the Infinity Saga ended and Thanos was defeated in Avengers: Endgame, I thought there would be a sudden decline with how devoted Marvel fans would remain. Suddenly, the story was not going to be as simple as “beating the bad guy.” Things were going to change and the path began twisting in ways that might have taken most by surprise.

            In this current MCU multiverse, it’s hard to tell up from down. The Loki we followed and loved until his death in Avengers: Infinity War was killed, but another Loki, one from another universe, has taken over. I found myself asking: am I ok with that? Do I feel any differently about this Loki or the previous one?

            Not only is there a Spider-Man, but there are multiple Spider-Men. In the next Doctor Strange, there are multiple Doctor Stranges—do I care about this? I honestly don’t know.

            In the current MCU story, there isn’t a singular objective (at least not yet), and I had my doubts that moviegoers would stick to the Marvel formula if things got too weird.

            Over the past two years, however, it turns out they are willing to stick it through. And for reasons that were unexpected.

            For one, devotion to anything means an acceptance of whatever is presented. Fandom, especially devoted fandom, is near psychosis in many ways because of how much we are willing to ignore for the sake of the cause. Another way of putting it: love. We are in love with these heroes. We want our heroes to be heroic, even if we don’t understand them. Hell, they could even behave un-heroically, putting people in danger for selfish reasons so long as they are equipped with the superpowers we all dream we could have (ie Spider-Man: No Way Home when Tom Holland’s Peter Parker attempts to wipe the memory of his identity from EVERYONE in the world—a purely selfish and defensive decision made without any kind of deliberation about what it means to tamper with freewill or others’ rights).

            Instead of a concrete story to follow, what Marvel has done is create a need to know the rest of the story, no matter what it is. We’re all vested, we all want to know what comes next. So, we’ll follow this until the end, most likely, because we’ve been doing so for over a decade (sort of a Gray’s Anatomy of the cinema, really). Watching a Marvel movie is beyond habit at this point, it’s Stockholm syndrome—we’ve fallen in love with our captors.

            I don’t think many would forgive Marvel for something shoddy and poorly done. What helps propel Marvel along is that with every new movie and hero, each new story (no matter how bizarre or obtuse it is compared with the “good guy beats bad guy” formula) is something interesting and unique. In that, we’re willing to keep going along with the gag, to see where it all leads..

            Because we trust that it will lead somewhere.

  • A Chinese assassin whose mother belonged to an ancient civilization that housed a protector dragon, and whose father owned a set of celestial rings from across the universe? Cool, I’ll buy it.
  • A group of precursor robots sent to monitor human development throughout the centuries so that the population grows vast enough to energize an egg birthing in the core of the earth? Ok, gotcha, never heard that one, I like it—what else have you got?

            And on the story goes, but we are still willing to hear it. “Give me another, tell me more.”

            I don’t think the world has experienced anything quite like the Marvel Cinematic Universe. As the saga continues, and as we all delve deeper into the multiverse, we might reflect on a version of ourselves along the way, of what life would have been like without the MCU at the forefront of our entertainment. Somewhere out there, through the cracked glass into another dimension, there must exist such a place.

            And what would a world be like without gods and heroes?

            I honestly don’t care to know.

            Whenever the MCU saga ends (because all things must), I think we’ll look back and think how remarkable it was that there was such a thing that kept audiences coming back to learn about the rest of the story. It reminds me of Homer and all those other great orators that kept audiences glued upon their every word. Who would have thought such a thing could unite, in whatever flavor, a world so easily divided.

            I can’t wait to hear the rest of the story.

***

  1. “Shotgun” by Anna of the North and Hver gang vi møtes
  2. “Ride or Die” by Hippo Campus
  3. “DANDELION” by ill peach
January 24, 2022 0 comments
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| Weekly Post-Eds |

Weekly Post-Ed #22

by Robert Hyma January 11, 2022
written by Robert Hyma

AGDQ 2022

https://www.twitch.tv/gamesdonequick

            Perhaps you’ve experienced this before: you hear about something again, maybe you’ve forgotten about it for a long time, but the moment you hear of it there’s this immediate elation, that feeling that so much good can come because of it?

            (I can hear some of yours answers: kids after picking them up from daycare, Thai food, reruns of the hit show The Big Bang Theory). 

            What’s that thing for me?

            It’s a marathon charity event called Awesome Games Done Quick. 

            For those of you that don’t know, Awesome Games Done Quick is a week-long charity event featuring some of the best speedrunners from around the world (people who play video games in the quickest manner possible depending on the category—think: beating Super Mario Bros. 3 in under 2 minutes!). It’s a 24/7 online event streamed over 7 days over at Twitch.tv showcasing some of the best runs of video games, all the while raising money for the Prevent Cancer Foundation. Historically, the event has raised an average of 2 million dollars per event, all of which goes to charity and a good cause.

            What makes Awesome Games Done Quick such a wholesome spectacle is it’s commitment to two great mediums: a showcase of some of the most talented people in the world demonstrating their craft, and also that of a group of people coming together to do some good in the world. And after the beginning of the New Year, when signs of abandoned resolutions and the bitter uptick in wintry weather begins, there’s no better place to look for goodness than those institutions that come around to remind us of joy and community working towards something greater.

            Unfortunately, the event will be remote this year again due to the newest resurgence of Covid-19, but none of that detracts from the mission of putting on a good show. AGDQ is truly unique in that people from every walk of life tune in, either to bask in the once-upon-a-time glory of nostalgia, or to support a favorite streamer or game being featured. Tens of thousands watch at any given moment during the 7-day marathon, taking the time to donate and connect through an event that blasts through bandwidth every January.

            Here is a sampling of noteworthy runs I’m looking forward to this week:

            AGDQ 2022 airs January 9-15. Below is a link to the Twitch.tv stream. You can check out the schedule of games being played here.

***

DATES & DETAILS #1

            [This is the beginning of a new segment called Dates & Details where I give short anecdotes of things I’ve experienced while online dating over the past few months. These aren’t exactly stories, more like small happenings that I’ve found peculiar and worth writing about. I’ll post about these experiences from time to time when they arise, starting with this first segment below about matching up with others…]

Refuted Match

            I’ve seen this a few times where someone attempts to match with me through a comment that disputes something I had put on my dating profile. The most recent example was someone who responded with “It takes more than 2 days to travel across the country by train.”

            So, in hopes of helping anyone else who has the idea of refuting a dating profile prompt, here’s my advice: don’t do it. 

            If you’re curious, this woman’s comment was attached to this prompt: Two Truths and a Lie. My answer to this prompt was: 

“1.) Once took a two-day train ride across the country…in coach, 2.) Hockey player, 3.) Discovered Uranium.” 

            Not a bad prompt answer, but not the greatest. However, quality is mostly beside the point. Other than following the rule: “don’t be boring, be specific,” the point of a prompt is act as an ice-breaker, something that gets the conversation started. Answers are not facts, nor are they intended to be. I’m not writing my Wikipedia page on a dating profile, I’m just trying to catch your eye about something. Likewise, if someone has photos of themselves skydiving, it doesn’t mean they are avid skydivers or know the mechanics of jumping out of small aircraft like an expert…it’s just something they did once and thought interesting to share. Photos of adventure seekers are saying, “I like adventures and want someone who also enjoys this sort of thing, are you someone like me?”

            That’s because prompts are really segues into the bigger discussion of, “Do we have chemistry or not?” Which, in my own personal experience, is only discovered once out on an actual date.

            So, what was this person doing by refuting my prompt? What was the play?

            I think someone who needs to refute the “accuracy” of something said on a dating profile isn’t trying to connect with someone at all; they are being confrontational for their own sake. It’s an insecurity, which is often why people attack one another. I’m guessing this person has had little luck with getting responses and is going on the attack because nothing else is working. It could be bitterness, it could be a lot of things, but when there’s a lack of curiosity when reaching out to someone new, there’s also a lack of confidence, and it says much more about you (the attacker) than it does me (the dating prospect).

            In my opinion, when you refute a part of someone’s dating profile, it also disqualifies you as a candidate for a date (which, get this, is the point of a dating app). You’re not going to change anyone’s mind about what they said in the prompt. Even if someone wrote, “I once traveled to the capital of Michigan, Detroit, and hated it,” by telling someone, “Uh, the capital of Michigan is actually Lansing,” is not going to change their answer. And really, as an experienced dating app user, you should have learned enough about this person based on the incorrect location of where he/she thinks the capital of Michigan is, so the answer is to move along to the next person anyway.

            Online dating isn’t about “being right”, it’s about finding someone compatible with you.

            If you want to be confrontational from the start, what does that say about the potential first date? Am I going to have to defend myself against a chronic fact-checker? Is this person like this always? Refutation is a bad first impression, simply put.

            In my own defense (since I’m willing to share my prompt with all of you), this person read the answer to my prompt incorrectly. She thought I meant, “It only takes two days on a train to travel across the country.” What I actually said was, “I spent two days on a train traveling across the country,” meaning, I spent two days OF TIME on a train traveling across the country. I didn’t mean that was the precise, physical distance a train travels to get to the other side of the country.

            Which, you know, says more about her than it does for me, obviously.

            Then again, I’m the fool writing about this on the internet, so who is really the smart one here?

            Either way, I’ll shrug at this just as I did when deleting her comment and move on my merry way.

***

THE SWITCH TO APPLE MUSIC

            This is likely to be one of the more controversial things I write about, but it must be said bluntly:

            I’ve made the switch from Spotify to Apple Music.

            *Cue the boos and cries of treason here.*

            I know, I know. Such news is scandalous and I’m sure there’s something to answer for…but I just don’t care. I’m not a devoted user of any platform so much as I see the current benefit of using it. I was an Android user for several years but have made the switch to Apple. And not for some fanboy-ism reason, but simply because the platform does what I need it to do right now—I like how everything is integrated between devices.

            So, what was wrong with Spotify? Nothing, it’s a great platform. Apple Music, in my experience, just sounds better on an Apple Device, and (whether this is imagined or not) that’s really the only reason for the switch. Spotify has a better interface, easier music liking features, better sharing capabilities, and the catered playlists are pretty damned good, too. 

            But I like the uptick in sound quality I have with Apple Music, so I’ll stay this route for a while longer.

            So, with that, I’ll shrug at all the ill will about which platform to support (supposing a thing should ever be important on this website—I don’t care either way). I like what I like, and that’s all there is to it.

            What matters, really, is finding new music, which continues below with some great new finds. Here’s the list this week and a new graphic to go with it:

  1. “Get Up” by Mother Mother
  2. “Lights & Music” by Cut Copy
  3. “Beautiful Life” by Michael Kiwanuka

***

Wishing everyone as well as they can be. You’re not alone out there,

January 11, 2022 0 comments
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| Weekly Post-Eds |

Weekly Post-Ed #21

by Robert Hyma January 4, 2022
written by Robert Hyma

MY PERSONAL RESOLUTION FOR THIS WEBSITE

            When I started this website, I wasn’t sure what it would end up becoming. A year into this endeavor and I’m still not sure, to be honest. I think this is a good sign—it means this website is something fluid and capable of evolving. That being said, I think this little corner of the internet could use some sprucing up.

            For this upcoming year, my personal resolution is simple: to be a published author. Technically, I’ve done that by publishing on this website, but I mean something more substantial: a physical, hardcopy of a book, something you can hold in your hands and say, “Hey, I have a book by that guy.”

            This was the goal for this past year, to publish the 11 or so short stories I wrote, and print them onto a small volume. What I did not anticipate was that my short stories are rather short in length, and so the compiled length of all the collected short stories was little more than 50 pages. Instead of a volume of short stories, it felt more a thick pamphlet, which, if I’m reading the look on your face correctly, is kind of a letdown.

            That’s why for this upcoming year I’m sticking to a strict publishing schedule on this website to better fill out a first collected volume of short stories. By the end of 2022, something meatier and meaningful will be printed off that’s worth holding onto. And if it means nothing more than a token of vanity, at least a hardcopy of a book appears to look like the real work of a serious writer.

            So, the schedule for this year will look like this:

– Starting January 16, a short story will be posted every 2 weeks. That makes for a total of 26 short stories throughout the year with the goal of compiling what I’ve written into a printed/eBook edition.

– Starting today, January 4 (or every Tuesday), there will be a Weekly Post-Ed each week for a total of 52 entries.

– There are some other projects in the works, but those are all TBD at this time. More details when things are closer to being finalized.

            So, that’s it. This website is going to continue to grow and I’m curious to see where it goes. I started all of this to see if anything interesting might happen from posting short stories, and what I found over the past year is how much I enjoyed writing something and posting it online as a finished product. I’m determined to do even better this year and I hope you’ll continue to come back and see where all of this is heading!

***

NEW YEAR, NEW LOOK

            For the new year, I thought more thematically. Ever since the launch of the James Webb Telescope (a SUCCESSFUL launch, if you didn’t know), I’ve thought about space and of the vastness beyond the problems of home. That’s what I do when I feel the world encroaching in—I look up to the night sky and find constellations and I think about how many light years away those stars are—each one with its own solar system, array of planets and celestial bodies, and the problems outside my front door seem small in comparison.

            With the launch of the James Webb Telescope, we’re bound to see and discover things we never knew possible in the universe. It’s with that energy and inspiration that I thought of the Mario Galaxy series, games that embody the joy of the cosmos within the candy coating only a Nintendo Mario title can. The logo is inspired by Mario Galaxy 2, while the background images were inspired by the deluxe soundtrack that came with copies of the original Wii games launched back in 2007.

            It’s a time for discovery, don’t you think?

            You can check out the artwork created for the website below:

***

  1. “Panic Attack” by Mating Ritual
  2. “Young & Wild” by the Strumbellas
  3. “Stay (feat Your Smith)” by Flight Facilities

Hoping everyone is as well as they can be. You’re not alone out there,

January 4, 2022 1 comment
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| Weekly Post-Eds |

Weekly Post-Ed #20

by Robert Hyma December 25, 2021
written by Robert Hyma

ALL I WANT FOR CHRISTMAS IS THE JAMES WEBB TELESCOPE

            If there’s one gift that excites me most in my adult life (other than the latest VR headset, let’s be honest) it is the launch of the James Webb Telescope. Due to delays and unfit weather conditions, the launch date of the biggest telescope ever built has been pushed back to Christmas Eve. But with more inclement weather underway in French Guiana, it’s likely the launch will be pushed back another day, which would fall on Christmas Day.

            Can you imagine it? The greatest technological marvel of this decade is about to be put into service to survey the stars and other solar systems in detail unprecedented. The Hubble Telescope gave us incredible imagery of the cosmos, but under the James Webb Telescope, equipped with a lens 2.75 times larger than that of the Hubble, it’s unfathomable to think what discoveries await. I cannot wait to see the first primary photos taken for comparison to the Hubble. It’s going to be, quite literally, awesome.

            In this era of pandemic and seasonal pessimism, can anything act as a wayward Christmas star more so than a literal speck of light in the night sky, that of the James Webb telescope safely in orbit around the earth? Scientific marvels such as this (on the same playing field as widespread Covid vaccinations) give me hope for the future, one that gives us greater scope about our place in the universe.

            All I want for Christmas, naturally, is a successful launch.

***

O BATMAN OF BETHLEHAM

            In trying to construct a Christmas Message for this Weekly Post-Ed, I drew a blank. In a previous draft, I wrote an essay about what I thought of the previous year, but like so much else attached to my life at present, it was dripping with seasonal pessimism and I couldn’t stand behind posting something like that. So, without an idea, I thought back to previous Christmases, parsing through what made them special for me, and I kept circling back on one particular memory.

            When I was 7 or 8-years-old, I had it in my head that the best addition to the yearly Nativity play at my church was to include Batman as one of the Angels. Perhaps I was angry at the casting decision of the Director (Joseph always went to the eldest in the youth group, never to a pre-pubescent boy incapable of copulation, which was, like, totally unfair). I was grouped with two other girls cast as Angels. My costume was a white, a flittered garment tied together at the waist by a glittering cord of white. In my defense, a die-hard Batman fan costumed in a dress some months after donning the cape and cowl for Halloween would be rightly critical of this creative choice. Personally, I think Angels would dress less like Shepards, played by a trio of boys in similar garb, just slabbed in gray with woolen blankets draped over their shoulders.

            And after rehearsal the night before the Christmas Eve service, I draped my costume over a hanger in disgust. A new creative direction was needed for the show.

           I must have smuggled my Halloween costume under my baggy winter coat. While the Angels were busy pulling up white tights and (near) stainless robes with glitter tumbling off the dried gobs of glue along the shoulder pieces, I unfolded my Batman costume and was nearly dressed except for the fabric cowl and cape (Batman costumes have become increasingly movie-accurate over the years, to the chagrin of my 8-year-old self).

            “Woah, what is this?” asked the Director passing by. “What do you have on?”

            I smirked—clearly, he was blown away by my creative decision to alter the character of “Angel #3” to something much more modern, hip, cool, badass. “I’m Batman,” I said, proudly.

            “Cool,” he said. “Take it off.”

            You could hear my heart break. “What? Why?”

            “Because Batman wasn’t present at the birth of Christ.”

            “So?” I countered, a pretty useful argument I had employed at the time. Insert enough ‘So’s?’ into conversation and most people get tired of hearing it and let you win. At least, it worked with my parents.

            “Robert, you’re an Angel. You’re going to dress like one. Does anyone want to help Robert get his costume on?”

            On cue, Joseph, the eldest in the youth group playing the lead role, and totally undeserving (I was already soured by the politics of the theater at a young age), stepped in and held out the white tights I was to wear with the Angel costume. I must have given in because I did dress as Angel #3 for the play, but I wasn’t going down without a fight. If I was to be an Angel, then I would only appear as one.

            I would not act as one.

            Fast-forward to the miracle of Christ’s birth during the performance and you would have seen an Angel that, for reasons unknown, held onto an invisible cape, pretending to flap it around as though I were the Dark Knight in the Michael Keaton Batman movie.

            “Why is Robert acting like Christ being crucified? Is that part of the show?” I heard an elderly man ask in the front row.

            “I think it’s supposed to mean something,” whispered his wife.

            The Director facepalmed when he heard this, unable to do a thing.

            It’s a shame I didn’t have any lines that year (coincidence? I think not). I would have gladly given my line unto the baby boy doll draped in rags in the manger, our Jesus:

            “I am vengeance, I am the night, I am Batman…of Bethlehem!”

***

A MERRY LITTLE HAWKEYE CHRISTMAS

            If you haven’t seen the new Hawkeye show on Disney+, please do! It was a festive and very Christmas take on a Marvel property. Sure, the Christmas element was crassly inserted (mostly in the form of Christmas songs accompanying all the skyline transition shots between changes in location), but the scenery of New York alight for the Christmas season eventually won me over. The show was fun and humorous in a way that was heartwarming for the holidays and I can’t say enough about checking it out.

            Plus, as a bonus for the end-credits, an entire Broadway musical production of “I Can Do This All Day” is filmed in its complete glory. 

            The show is sure to become a holiday favorite going forward.

***

A CHRISTMAS MESSAGE

            At 32, things are seemingly worse than ever before. Not only is there a global pandemic seemingly without end, a cultural depression has led to the exultation of the highly successful and a feeling of deepest failure should one’s life never realize what it means to be valued by the grading systems of online platforms. It’s an age of unbounded loneliness, a lack of connection, and a crisis in wondering about the purpose of life.

            On Christmas Eve, I often ask how a holiday glazed with the glitz and glamor of jingle bells and colored bulbs can possibly instill in us a feeling of home and warmth. The world seems, as it is, a place of disconnect and dissonance, a train passing by the station without intention of stopping. It sounds like good ol’ pessimism, but the older I get, the struggle to enjoy life is often beaten and battered by constantly being sold on the notion that I’m not enough (handsome, creative, productive, charming, witty, athletic). It becomes just as tiresome to fight as a constantly mutating virus.

So I ask: where is the joy in all of this?

            The only answer I have is to remember why Christmas is meaningful. To me, Christmas can be about most anything (as any seasonal Hallmark movie can attest): the power of friendship, of family, of finding true love, of being rewarded for doing good. But while we lavish the fictional world as a place where good and righteousness wins out over the forces that prevents our happiness, we seldom receive the same satisfying conclusion to our life stories. And as the holidays hit, we want retribution—that our struggles weren’t in vein, that the holiday season means something, and to be rewarded on schedule, as the script was written.

            Take it from me, I would love for life to unfold in this way, but it simply won’t for a majority of us. It’s been a long winter for the past few years even preceding the pandemic. Christmas time can be a very lonely, depressing holiday to those that have experienced loss and not found the means to fill the craters of their lives ever since. In my experience, you have two choices in the winter of our lives: to sink further into despair, or to choose (despite the pain) to seek joy despite it all.

            Remedies aren’t without side effects. The notion of choosing differently sounds unfair or unreasonable, likely both, and that’s because it is. And yet, this choice is all we have in times of darkness. It’s easy to lay down, to let the circumstances of a torrential world do its damage. That’s always an option, but what’s the value in that? There is meaning getting back up again, because in the struggle of our lives, this decision to get up despite the odds is all we have left.

            There is no paying audience cheering us on, or a narrator ready to set the story on its rightful course. There is only acting for our own story, to take truly be the protagonist we wish to be, despite how the story turns out.

            So, this holiday season, I hope you seek joy, even if unattainable. The pursuit of something more has always yielded the most meaning in spite of the result (this website included), and I’ve found that choosing to see the better pieces of our lives is as magical as the notion that a man in red will deliver presents to good little girls and boys. 

            From me, truly, I hope you remember there is always a choice, not in how something turns out, but in our intentions for how we will carry on. I like being the main character of my life, and if I have a say in what I’ll do next, I’ll write that, too.

            At least I get partial writing credit. I’ll gladly take it.

***

  1. “Split” by 88rising and NIKI
  2. “My Favourite Day” by Fickle Friends
  3. “Stay the Night” by Jukebox the Ghost

***

Wishing everyone a good holiday. You’re not alone out there,

December 25, 2021 0 comments
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| Short Stories |

Oh Brother, My Brother

by Robert Hyma December 6, 2021
written by Robert Hyma

            Brother Omaron was probably dead. It wasn’t definitive, no one had checked his pulse. We weren’t allowed to, part of the Greater Plan authored by Brother Omaron himself. “In case I shall be struck down by Heavenly Father, His aura shall roam near, and I will be pure.” (Subsection 2 of the Greatest Plan). There were three of us there, myself and Brother Dan. The third was a brown labrador retriever that had quickly risen up the ranks of our brotherhood, Brother Bark, and he sniffed the body of Brother Omaron with fierce curiosity.

            “Shoo!” said Brother Dan. “You’ll desecrate all we’ve accomplished! Go on, Brother Bark, out!”

            Brother Bark sniffed once more, sneezed into his brown coat of fine fur, and trotted from the tent.

            “I’m sorry, Brother Solomon,” said Brother Dan. “I didn’t mean to disrespect Brother Bark as I had, but you saw where his nose was sniffing. If I didn’t intervene, he might have sniffed up Heavenly Father’s aura.”

            I nodded and thought my secret thoughts, the ones that should have been purged from my conscious upon entering the brotherhood, but I could not help but wrinkle my brow and partially raise an eyebrow.

            “Brother Solomon! The accursed mask of doubt is on your face!”

            I cleared my throat, straightening my features. “Right. Brother Dan?” I asked, “Do you know how long we are to let Brother Omaron lay on the floor before the aura of Heavenly Father, I don’t know, heads elsewhere?”

            “What pertinence,” Brother Dan dismissed. “Heavenly Father will leave when He sees fit. We are bystanders basking in His graces. He is here, among us! Do you not feel His presence, Brother?”

            A slight wind rustled the tent flap of Brother Omaron’s teepee, it smelled faintly of toasted marshmallows and smoke coming from the Bon Fire of Sacrifices—really, just a big fire made from still-wet wood from the campsite. I could hear laughter, and someone shouting, “Brother Bark, fetch!”

            I shrugged, another sign of the demonic doubt, so Brother Omaron told me. I might have said more, but didn’t, and reached out to Brother Dan’s hand—he was crying, overwhelmed, I think. We watched in silence as Heavenly Father’s aura roamed over the still, bloodied body of our former Brother, his stiffened hand resembling what it must have looked like just before pulling the trigger of his Civil War replica firearm. 

            “I do, Brother Dan,” I answered at last, squeezing Brother Dan’s hand. “As Heavenly Father wills it, I do.”

December 6, 2021 0 comments
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| Weekly Post-Eds |

Weekly Post-Ed #19

by Robert Hyma December 6, 2021
written by Robert Hyma

HERE’S TO YOU, STEPHEN SONDHEIM

            Like a Greek hero, a ceremony ought to take place upon the death of one of the greats. Upon hearing Stephen Sondheim died this past week, I scrolled through Twitter to read the glowing tributes and memories about the man. Lin-Manuel Miranda, the creator of Hamilton, shared an email chain between the two, thanking him for his wisdom and guidance while piecing together that recent Broadway masterpiece. Former actors in his plays, the great playwrights, everyone from around the world that was touched by his music and lyrics shared something about the influences of his work.

            “He was the reason I started writing music.”

            “I saw West Side Story when I was eight and it changed my life.”

            I’d consider myself changed by Stephen Sondheim’s work. The greatest of his works (for me personally) was Into the Woods. It’s a play of interweaving fairy tales set in the midst of a thick wood where the lives of the multiple protagonists are changed for better or worse. It’s a play about the consequences of our lives, that happily-ever-after doesn’t follow when the first act of our lives is finished. There’s always more and we must face who we’ve become whilst in the woods. It’s a beautiful story and I wanted to give tribute to what’s it meant for me.

            Except, I’m a far-away observer. I’ll raise my glass, but who am I in the context of sharing Stephen Sondheim’s joyous works?

            I’ll tell you what I did. I did as most mere mortals do: I watched my favorite of his works—the Disney version of Into the Woods in honor of his memory.

            Not that this watch was different than the previous four times I’ve seen the film, but I made sure to really hear the lyrics this time, appreciating the magical wordplay Stephen Sondheim wrote. “The Prologue” might be the greatest musical introduction in the history of musical theater, weaving the stories and origins of all the protagonists, all the while setting the stage for what changes their lives forever. I was moved by all of it, even Milky White, the cow that was Jack’s best friend to be sold to market.

            And I made it 38 Minutes into the movie, just in time to hear the beginning of “Giants in the Sky,” sung by Daniel Huddlestone.

            “There are giants in the…”

            PAUSE.

            “Chocolate milk,” I thought. “I should make myself some chocolate milk.”

            So, I hopped off my bed and headed towards the kitchen to mix some Nesquik into a tall glass of milk, the perfect compliment to watching the show. With the Nesquik made, I sat back down on my bed, ready to press PLAY on my keyboard, and then I stopped: did I really just pause this masterpiece of musical theater so I could make a glass of Nesquik? 

            This bothered me greatly. I mean, I hadn’t even planned on making the chocolate milk before the movie started; it was a spontaneous idea, something that sounded good on a whim. This was supposed to be my small way of honoring a great lyricist and composer who’s death was tragic for the entire creative world. And during the movie, something I set aside special to watch in his honor, I paused in the middle of a song to make a glass of chocolate milk?

            Why would I do that? If I were at the theater watching Into the Woods, I would never get up in the middle of the first act and head to the concession stand and say, “Weird request, but do you happen to serve chocolate milk here?”

            No, I would never dream of interrupting the show. So, why did I get up?

            With this guilt weighing me down, I placed the tall glass of chocolate milk on a coaster beside me, and pressed:

            PLAY.

            “..sky! / There are big, tall, terrible giants in the…”

            Chocolate milk. I really want that chocolate milk…

            “…sky! / When you’re way up high / and you look below / at the world you’ve left / and the things you know / little more than a glance / is enough to show / you just how small you are!”

            I mean, it doesn’t hurt to sip it, right?

            “When you’re way up high / And you’re on your own / In a world like none / That you’ve ever known / Where the sky is lead / And the earth is stone / You’re free to do / Whatever pleases you / Exploring things you’d never dare / ‘Cause you don’t care / When suddenly theres…”

            Chocolate Milk. Look, it’s starting to cake over on top. Just drink it.

            “A big, tall, terrible giant at the door / (A giant?) / A big, tall, terrible, lady giant sweepin’ the floor / And she gives you food…”

            Like chocolate milk. Just drink it.

            “…And she gives you rest / And draws you close / To her giant breast…”

            Which is like an utter, where milk comes from. As in chocolate milk.

            “…And you know things now / That you never knew before / Not ‘til the sky.”

            Goddam it.

            PAUSE.

            I drank the chocolate milk, in nearly one gulp. The shame coursed through me just as easily as the cold liquid poured down my throat. I felt terrible; I couldn’t even properly watch a movie that I cherished, that was penned by a man who recently departed this world. I looked to my empty glass, the last grains of Nesquik waterfalling down the side to a muddy soup at the bottom, and I meekly raised it up. “To Stephen,” I said aloud.

            Even if I couldn’t properly honor his contribution, I decided, at least I can claim that I tried.

            And I think that’s what the entire world tried to do over this past week. If it wasn’t a menial Twitter post, then it was a tall, cold glass of Nesquik during Into the Woods—the Disney version.

            So, raise a glass (a new one, not the one I just gulped chocolate milk from). 

            Here’s to you Stephen, a giant now in the sky.

            PLAY.

***

A MUCH BETTER DEDICATION TO STEPHEN SONDHEIM

            In a much more sincere and heartwarming tribute to Stephen Sondheim, stars and previous cast members of his many shows and the greater Broadway community appeared in Duffy Square in New York City to sing “Sunday” from the play Sundays in the Park with George. Lin Manuel-Miranda read a passage from Sondheim’s book, Look, I Made a Hat, and it was a wonderful prelude to the mission of the man and what he accomplished in his life.

            The video comes curtesy of Playbill, so check out the link below to watch:

***

SURPRISE! A NEW SHORT STORY IS HERE!

            Below is a link to the shortest short story I’ve ever written. I enjoyed writing it, both because of its length and also that so much can be inferred from so few details. My favorite art is that which gives the illusion of greater detail without providing it, like a few paint strokes that somehow, from a distance, look like the varying layers of rock or a mountainside. I won’t compare this short story to something as masterful as those artworks, but I’m curious to see what can be made with even fewer details. 

            Anyway, I hope you enjoy!

***

❤️ by Coldplay

“Thank You” by Bombadil

“Somethinggreater” by Parcels

***

Wishing everyone as well as they can be. You’re not alone out there,

December 6, 2021 0 comments
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| Weekly Post-Eds |

Weekly Post-Ed #18

by Robert Hyma November 23, 2021
written by Robert Hyma

ALIVE FROM NEW YORK

            This marks my first non-video game themed website design. It’s based on the current look of Saturday Night Live, combined with some added flourishes like an 2D-designed Chrysler Building next to the text. It felt like a time to laugh, and SNL is the source I go to for most laughter these days.

            That sketch show is special because it has done something no other show on television has—evolve with the times. Its purpose is straightforward: to make people laugh, but the route the show has taken has always been ever-changing. Generations of comedians and writers have mixed up the formula, some preferring a contemporary sketch show, others a zanier, aloof style of sketches that have nothing much to do with current events. The show can be penetratingly satirical or drug-inducingly avante garde, and both work.

            I chose SNL as the design for my website because it’s something I need right now. I’ve never been a consistent SNL viewer, but I find the show more important than ever these days. Partly because of the political climate, along with the rampant irrationality that spreads across a nation further defined by polarization, but also because the show is a reminder that a group of people can come together and try to make something people can laugh about. It’s the purest form of, “getting on with the show,” something America should be reminded to do now and again. We could all use a little more laughter instead of endless, unwavering, and suffocating scrutiny about who is right and who ought to be ostracized.

            Below are the graphics I’ve made for the redesign:

***

“AT THE SAME TIME?”

            WARNING: upon a second edit, this section is quite crass. Viewer discretion advised.

            I had a 24-hour stomach virus over the weekend. I told a select group of people about it (co-workers, family) and they said, “Oh, no! I’m sorry to hear that!” which is the correct reaction (it beats: “Finally! What took so long?”) However, what usually follows a proclamation of sympathy is this strange investigation into what type of stomach flu it was:

            “Did you have vomiting and diarrhea? Both? AT THE SAME TIME?!”

            Maybe there’s a tiered system of stomach virus/flu and only the most severe of symptoms garners the most sympathy. Like: “Oh, it only came out of ONE end, did it? Sounds like it wasn’t so bad after all.” (And I imagine this being said with a pompous twirl of a scarf as this person walked away—which seems more insulting than it ought to be).

            Luckily, I didn’t have both symptoms of stomach flu (vomiting and diarrhea) at the same time. I had the former, primarily, which wasn’t a picnic. I’m not sure who enjoys uncontrollable vomiting, but I’m sure there’s a select group of people out there, and they must have a magazine. If it’s out of print, I’d like to have an issue or two to see what headlined the front cover.

            “Finally lost control and I liked it!”

            And…

            “The colors that came out of me! (And what this means for your horoscope!).”

            If you have a mind like mine (which you don’t, so feel lucky), you start to contemplate the phrase “At the same time,” a little too literally. I started to wonder what it would be like to vomit and have diarrhea…but coming out of the same end. Imagining both in conjunction with the sphincter isn’t very creative since most diarrhea already feels like vomiting and feces are typical combo meal, like surf and turf (which is, ironically, would be a great name for this condition in the first place). No, we’ve all experienced that liquid-blast-hybrid-mix diarrhea of the flu before, that’s nothing new.

            I mean the other way around: what if diarrhea took the stairs and came out the esophagus along with uncontrollable vomiting?

            Knowing my luck, and history of bowel movements, it wouldn’t be liquid-based and runny diarrhea, but a thick, slow trickler inching upwards towards the roof of my mouth, as stubborn as a cork untwisting from a bottle of overly carbonated champagne. After a few bouts of vomiting, there would be a backup, and nothing would come out. It would sound like an engine that would not turn over (gerp, geep!), and my airway would be completely clogged. My head would jerk as though something ought to be happening, but nothing would eject.

            In a panic, I’d race about the bathroom, looking for anything to unclog my throat. Rummaging through drawers and wasting precious oxygen, I’d look for a roto-rooter. Only, I don’t know that is, I’ve only heard of its use of unclogging clogs. Instead, I’d find an old, dusty toothbrush, a skinny one, and cram it down my throat, only I’m too slow to recognize that I’m compacting feces into my airway instead of poking a hole through the blockage.

            With my muscles weakening from the lack of oxygen, my vision gets blurry. I can’t call anyone, can’t text 9-1-1 because it will be too late, and I will be the only human being besides some sick, medieval torture victims to have died from human waste crammed in their breathing tube.

            Then, the answer would hit me: there are straws in a downstairs kitchen drawer. Quickly, I would retrieve one, pushing it through the thick sewage. After using up a few straws (they get clogged, too—you’ve never had a McFlurry before? Same problem), the last one gets through, and I can breathe like someone with intense emphysema (or so I’ve been told by drug-resistance programs since I was a kid—“It’s like breathing through a straw!” they told us over and over again. And then a police officer would pass out straws and have us breath for two minutes only through the straw and would receive a prize at the end if we could do it. We all did, because it turns out that breathing through the nose is silent, and there were many winners that day–to the shock and awe of the Township’s finest).

            Anyway, I survive long enough to text a family member, debating if I should receive the Heimlich Maneuver or just call 9-1-1. I pass on both and decide to drive myself to the hospital, leaning over the steering wheel in such a way that doesn’t bend the straw lodged in my throat. After pulling up to the ER entrance, a nurse would surely see what was the matter, shake her head (ER nurses have seen it all), and say, “Stomach flu, huh? I’m sorry to hear that. Vomiting and diarrhea? AT THE SAME TIME?! This way please…”

            And then the world materializes. 

            I’m sitting at the breakfast table with my parents. We’ve just finished a discussion about coupon codes for buying scented soaps for Christmas. All is quiet. I shrug, sip my coffee (it’s cold, I spit it out), and think, “That was a weird thought. I should write that down.”

***

THE KYLE RITTENHOUSE VERDICT

            Like most of America, I’ve been trying to conceptualize how this guy was found Not Guilty on all counts. Also, like most of America, I’m not surprised that he was acquitted. In trying to understand how it all happened, I’ve found the best answer possible, and it turns out the musical Chicago handled this exact situation some 46 years ago in 1975.

            So, if you’d like a recap of what happened in the trial (missing the sobs and cries of another white man realizing he may feel guilty about killing two people, of course), please see the video below:

***

I have one recommendation for this week and it’s the entire Shang-Chi and The Legend of the Ten Rings album.

The track selections are some of the best hip hop, rap, and pop songs I’ve heard in a long time. The entire album is a joy, particularly “In the Dark” by Swae Lee and Jhené Aiko, as well as “Fire in the Sky” by Anderson .Paak. Please, check it out!

Shang-Chi and the Legend of the Ten Rings ALBUM

***

Wishing everyone as well as they can be. You’re not alone out there,

November 23, 2021 0 comments
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