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AGDQ

| Weekly Post-Eds |

Weekly Post-Ed #62

by Robert Hyma January 24, 2024
written by Robert Hyma

“I’M A DICK BEFORE I AM.”

I’m currently in my last semester to attain my Bachelor’s Degree in English Literature. After two years of attending classes, I’ve realized there is a tipping point for when one has been at college TOO long.

It came when reading a textbook, of all things. As I was reading opening chapter, I suddenly thought, “You know, this is a REALLY GOOD textbook.”

[planet earth exploding]

A textbook? I was inspired by a textbook. That’s like being inspired by the text of Apple’s Terms and Conditions agreements. “Hey, these are really well written, you know that?”

But maybe I’m not being fair. If you read the textbook, you might also agree that it’s pretty damned good. Here’s what happened next:

The textbook in question is from a linguistics class called Language and Gender: Second Edition by Penelope Eckert and Sally McConnell-Ginet. Essentially, the class is a sociolinguistics course—which is academic babble for how language shapes society. This class, in particular, explores how language has impacted ideas about gender from a historical and cultural perspective. 

The first chapter started with a bang with this argument: Gender is a social invention.

It was incredibly convincing. In thirty pages, the authors of the textbook broke down what it is like to be raised to taught, observe, and otherwise value deeply entrenched gender standards that reach back as far as civilization is concerned. I’ll save the research section for those interested in pursuing the subject, but one piece of evidence has stuck with me:

Infants as old as two-days-old change the pitch of their cries based around if a caregiver is male or female. It’s a slight change in pitch, something measurable only with a fine instrument, but the change is readily observed.

By the end of the opening chapter, I felt like I was yanked out of The Matrix and awoke in a tub of pink goo. I subsequently wondered why it had to be pink and not blue goo, the sort that boys would prefer in a dystopian human-battery plant, but that’s beside the point. 

I spent the following three days casing over how environment has influenced my identity, ideas, likes/dislikes, relationships, career decisions, music tastes – in short, everything. 

By the end of the week, I wasn’t sure of who I was anymore. Was I just a pair of eyes and loosely working system of neurons that has absorbed advertising and consumerist ideals on a scale on an unconscious level? Am I just a mimic for all that has been told or taught to me?

I had turned into a Gender-focused Renée Descartes, pondering if my existence was a figment of some demon’s oddly white male and patriarchal imagination.

Descartes, for those foggy on the famous philosopher, would soon conclude of his existence: “I think, therefore I am.”

But I couldn’t keep the record from skipping when it came to environmental influences. I kept asking myself, “If I ask a girl out and have no idea how she’s been subjugated for a lifetime of unequal treatment, does that make me a dick before even saying hello?”

My conclusion was similarly Cartesian, but slightly different: 

“I’m a dick before I am.”

By the weekend, I was exhausted. Trying to piece together your life by considering EVERYTHING EVER is a little like dumping the entirety of your household belongings in a big pile in the living room and asking, “Ok, but what does it all mean?!” It’s a stupid thing to do all at once.

Admitting defeat, the only thing I could do was pick up the textbook and continue reading. 

That’s when I found a rather surprisingly passage from the authors. Instead of accepting the dystopian future we’re all headed for, they wrote something unexpectedly uplifting about the nature of social systems—for those in apparent control and everyone else. This is what they wrote:

“While social structure and available resources provide constraints, it is people who decide just how constrained they will allow themselves to be (and others who try to enforce or help loosen those constraints)…We do not forget that on a day-to-day level, style is not usually a serious business – rather, it is the spice of life.”

Eckert, P., & McConnell-Ginet, S. (2013). Language and gender (Second Edition). Cambridge University Press. 48.

The pile that was my life that I had dumped on the floor was suddenly cleaned up. 

It was like hearing the famous conclusion of Renée Descartes, “I think, therefore I am”, but with a lemony twist on top, “Plus,” the great philosopher might have added, “it’s more fun that way.”

It’s a much more liveable way of existing, don’t you think? I’ll rephrase: 

“I style, therefore I am.”

 ***

AGDQ 2024 FINALE, HURRAY!!

This past week was the bi-annual speedrunning charity marathon event Awesome Games Done Quick. For those in the know, it’s a charity marathon streaming 24/7 on Twitch.tv for seven days that features a slate of video games being beaten as quickly as possible. The event draws tens-of-thousands of viewers and raises obscene amounts of money from a community of dedicated gamers and fans of games for a great cause: The Prevent Cancer Foundation.

I’ve watched the marathon every year and it continues to impress with speedruns that showcase the toughest tricks without a hitch. And while that is masterful to watch, there is something deeply inspiring when watching something go wrong and how one responds to it.

There was no better example than the finale of AGDQ 2024 when the final run hit a “snag” that had to be figured out in front of a live audience. The runner, Zic3, needed to level up a character in Final Fantasy V: Pixel Remaster, but the only fight was something his roster of fighters were greatly under-leveled for. The result was watching twenty minutes of frantic trial and error as the runner and his Couch Commenters (FOXYJIRA and W0ADYB) conferred back and forth for how to beat this section of the game.

It was the most inspiring example of grace under pressure I have seen in a long time. While the host, PROLIX, kept the audience riveted by reading donations, Zic3 eventually found a way to progress back to the route and complete the run. There were no tears, no gripes of rage or blame, not even a helpless moment of hesitation. The three runners on stage huddled together to solve the problem and eventually found a way through.

There’s something vulnerable and revealing when things go wrong. For me, it showed just how incredible these runners were to focus with all the pressure and continue to work the problem, each contributing solutions.

I’ll link the moment in the video below. It’s worth a watch.

And congrats to another AGDQ for raising 2.5 million for the Prevent Cancer Foundation.

***

  1. “This Time Around” by Beauty Queen
  2. “Skyline” by Hembree
  3. “Fumari” by Peach Tree Rascals

***

Wishing everyone as well as you can be. You’re not alone out there,

January 24, 2024 0 comments
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| Weekly Post-Eds |

Weekly Post-Ed #51

by Robert Hyma January 12, 2023
written by Robert Hyma

KUDOS DONE QUICK

Image via gamesdonequick.com

By the time you read this, Awesome Games Done Quick 2023 will be halfway over. If you don’t know about Awesome Games Done Quick, here’s the TL;DR: it’s a 7-day video gaming marathon packed full of speedruns raising money for charity (for this event: The Prevent Cancer Foundation). Old favorites ranging from Super Mario Bros. 3 to Crash Bandicoot 3: Warped, as well as newer games such as Stray and Pokémon Legends: Arceus, are beaten in record time to the delight of tens of thousands watching online, and all for a great cause.

For me, the joy of watching AGDQ isn’t so much about basking in the nostalgia of games from childhood, but of watching something completely new. There’s bound to be something you’ve never seen before at AGDQ. So far in the marathon, the biggest surprise was a game called Fashion Police Squad, a DOOM-esque shooter where a police officer fires a fashion gun and warrants justice to all the “fashion crimes” done in his city: Men wearing baggy suits and tourist dads with socks with sandals around the city, and so much more. The lighthearted and humorous gameplay made it an instant favorite of the event.

Of course, the most notable aspect about AGDQ 2023 was the brave and necessary stance of event organizers in response of two measures recently passed in the state of Florida, the seminal location of AGDQ for over a decade.

In a statement on the GDQ website, the reasons for canceling the live event in favor of an online-only format shortly before this year’s event were thus:

“While we would love to return in-person, we’ve determined that to provide a safe and welcoming event to all, it was best that we move away from our originally planned location in Florida.

Given the state’s continued disregard for COVID-19’s dangers (including anti-mandate vaccination policies) and an increased aggression towards LGBTQ+ individuals, including the law colloquially known as “Don’t Say Gay,” we do not believe it is a safe place for our community at this time…”

The full statement has since been removed from the official GDQ website due to the site’s overhaul while covering the event, but the full statement can be found on Kotaku’s website here.

It’s the kind of decision that makes me proud to tune into this event year after year. GDQ has always been a beacon for the gaming community and has since shown support through action that community matters more than politics and taking a financial loss. This year in particular, I’m proud to donate.

There are three days left to check out the marathon (outside of the quick uploads from the GDQ YouTube Channel in case there’s something you missed!), but here is a short list of runs I’m still looking forward to:

***

CONSPIRACY THEORIES LITE

The more I continue this reentry into college, the more I dislike the idea of the English Major. I’m nearly through with this first week of classes of the semester and am reading from three different sources: A Norton Anthology, The Adventures of Huckleberry Finn by Mark Twain, and a novella called Faces in the Crowd by Valeria Luiselli. 

If that sounds like a lot, it is.

Not because of the reading (which, if you’re an English Major like I am, you better like it) but because I’m tired of this rapid-fire “Hey, diagnose this thing you just read! Immediately!”

After every thirty pages of a novella I haven’t read before, I’m asked to scour pages, looking for themes and symbols as though I’m Robert Langdon from The Da Vinci Code. Never mind the rest of the novel; we can’t be bothered to finish it before finding MEANING. And once we find MEANING, all will be right with the world.

Not really, but maybe the stakes in an undergrad course feels reminiscent to that. Personally, I’d rather finish a new novella and digest it for a second. This process of diagnosing a longform piece of writing every 30-pages feels like stopping a movie every twenty minutes, turning to the person next to you, and asking “What do you think the movie is about?”

How about we just finish the goddam movie first?

The art of literary criticism is very boring, and more than I’d like to comment on with this Weekly Post-Ed. And if you’re asking, “Then, why be an English Major?” Well, seeking a degree to read more stories has its downsides. It’s a bit like having children—you love them more than you can express…but dealing with shit is just part of the job. Literary criticism can be a way of better engaging with stories, but most often criticism is show-and-tell for academic types. Where else can a critic say without inducing comas in a public place, “Hey, I know the REAL reason the author wrote this book!”

Literary criticism, really, is just Conspiracy Theory Lite—less sugar and calories than the real thing.

Of course, if you informed the author or writer of your genius piece of criticism, they would probably shrug, smile kindly, and say, “That’s fun. Now, please go away. I have a life to live.”

I assume I’m one of those “real” writers when I leave class each day. I shake off the literary critic I pretend to be, put away the ceaseless conspiracy theories that are somehow college credited, and I go home to write something.

Hopefully it’s something good. Most of the time it’s not.

You just hope that, eventually, something decent gets on the page.

That’s my own working conspiracy theory, anyways.

***

  1. “This City Reminds Me of You” by APRE

***

Wishing everyone as well as you can be. You’re not alone out there,

January 12, 2023 0 comments
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| Weekly Post-Eds |

Weekly Post-Ed #23

by Robert Hyma January 24, 2022
written by Robert Hyma

AGDQ GRAND TOTAL

            What a fantastic week of gaming and charity! Through 7 days, AGDQ 2022 raised a total of $3,416,729 for The Prevent Cancer Foundation, a record high. The generosity of viewers for an event that started so small (in the basement of one of the founder’s mother’s house ten years ago), to being a huge contributor to major causes around the world is such a gratifying thing to be a part of.

            Games Done Quick returns this summer with SGDQ and I hope it eclipses the 3.5 million milestone for Doctors Without Borders. The world is a better place because of this event, no doubt about it. 

***

MARVEL FANDOM: WE’RE ALL IN THIS TOGETHER NOW

            The Marvel Cinematic Universe (Marvel’s movies and television shows) has become so numerous and robust that it isn’t easy to keep up with what’s going on. Even I watch analysis videos about the Easter Eggs in each film and episode on Disney+, paying attention like a student at a college lecture. Yet, somehow this fandom happened to me, and I think most of America.

            What’s interesting about fandom is that it takes devotion and study, something most adults would rather not give time for. “Watch Star Trek? All of it? I don’t have time.” Or, “Star Wars? How many movies are there? Oh, and then read the books for all the differences?” You’d rather take a course in World History (which might be less robust than the stories of those two franchises). And yet, all of us know the story of Iron Man and Captain America and the fight with Thanos.

            So, what made us all aware of the MCU? 

            Like any central entertainment of its time (the Beatles in the 60s, disco in the 70s etc), it was the unifying force that people talked about and experienced with one another. We watched the MCU on the big screen over the course of a decade and fell in love. Marvel movies were the spotlight attraction, and we followed the story as it was built. Perhaps movies do something that other mediums cannot. Movies are a visceral experience, much faster and easier to consume, and accessible by just about every walk of life. Not only that, but the movies were damned interesting: some heroes were larger than life like the billionaire Tony Stark, some were about the small guy with a big heart trying to do the right thing…and also gains superpowers along the way (Captain America, Spider-Man). There was a story for everyone. The MCU was exciting, entertaining, and it put forth a storyline that was easy enough to follow: 

            A group of super-powered individuals must team up through their differences in order to defeat the all-powerful bad guy.

            Anyone can follow that story. In fact, we all prefer that type of story. Sports teams, elections, religion, awards contests are all whittled down to “My favorite team has to somehow beat your team because we are the righteous ones.” We even narrate our daily lives with this narrative form, “Can you believe what my boss said to me today? I should turn around and tell that guy to…”

            And let justice be served.

            Superheroes are greater forms of all of us. They do what we cannot and we envy to be them. Like gods, they can impact the world at their will, doing mighty things. We want to be like them because, as we see it, we already are them…just without the powers. 

            All of this led to an inadvertent baptism into comic book fandom. Those that never thought they would care for the likes of Captain America, Spider-Man, Iron Man, or even the obscure (until the James Gunn movies) Guardians of the Galaxy suddenly said sentences like, “See, just like Star Lord,” and, “I can do this all day,” catchphrases from the movies. And we followed this team of superpowered misfits come together and beat the baddest of all bad guys: Thanos.

            Then, it was over. Our favorite characters leaving the silver screen, leaving the fight to whoever comes next.

            What comes next?

            Once the Infinity Saga ended and Thanos was defeated in Avengers: Endgame, I thought there would be a sudden decline with how devoted Marvel fans would remain. Suddenly, the story was not going to be as simple as “beating the bad guy.” Things were going to change and the path began twisting in ways that might have taken most by surprise.

            In this current MCU multiverse, it’s hard to tell up from down. The Loki we followed and loved until his death in Avengers: Infinity War was killed, but another Loki, one from another universe, has taken over. I found myself asking: am I ok with that? Do I feel any differently about this Loki or the previous one?

            Not only is there a Spider-Man, but there are multiple Spider-Men. In the next Doctor Strange, there are multiple Doctor Stranges—do I care about this? I honestly don’t know.

            In the current MCU story, there isn’t a singular objective (at least not yet), and I had my doubts that moviegoers would stick to the Marvel formula if things got too weird.

            Over the past two years, however, it turns out they are willing to stick it through. And for reasons that were unexpected.

            For one, devotion to anything means an acceptance of whatever is presented. Fandom, especially devoted fandom, is near psychosis in many ways because of how much we are willing to ignore for the sake of the cause. Another way of putting it: love. We are in love with these heroes. We want our heroes to be heroic, even if we don’t understand them. Hell, they could even behave un-heroically, putting people in danger for selfish reasons so long as they are equipped with the superpowers we all dream we could have (ie Spider-Man: No Way Home when Tom Holland’s Peter Parker attempts to wipe the memory of his identity from EVERYONE in the world—a purely selfish and defensive decision made without any kind of deliberation about what it means to tamper with freewill or others’ rights).

            Instead of a concrete story to follow, what Marvel has done is create a need to know the rest of the story, no matter what it is. We’re all vested, we all want to know what comes next. So, we’ll follow this until the end, most likely, because we’ve been doing so for over a decade (sort of a Gray’s Anatomy of the cinema, really). Watching a Marvel movie is beyond habit at this point, it’s Stockholm syndrome—we’ve fallen in love with our captors.

            I don’t think many would forgive Marvel for something shoddy and poorly done. What helps propel Marvel along is that with every new movie and hero, each new story (no matter how bizarre or obtuse it is compared with the “good guy beats bad guy” formula) is something interesting and unique. In that, we’re willing to keep going along with the gag, to see where it all leads..

            Because we trust that it will lead somewhere.

  • A Chinese assassin whose mother belonged to an ancient civilization that housed a protector dragon, and whose father owned a set of celestial rings from across the universe? Cool, I’ll buy it.
  • A group of precursor robots sent to monitor human development throughout the centuries so that the population grows vast enough to energize an egg birthing in the core of the earth? Ok, gotcha, never heard that one, I like it—what else have you got?

            And on the story goes, but we are still willing to hear it. “Give me another, tell me more.”

            I don’t think the world has experienced anything quite like the Marvel Cinematic Universe. As the saga continues, and as we all delve deeper into the multiverse, we might reflect on a version of ourselves along the way, of what life would have been like without the MCU at the forefront of our entertainment. Somewhere out there, through the cracked glass into another dimension, there must exist such a place.

            And what would a world be like without gods and heroes?

            I honestly don’t care to know.

            Whenever the MCU saga ends (because all things must), I think we’ll look back and think how remarkable it was that there was such a thing that kept audiences coming back to learn about the rest of the story. It reminds me of Homer and all those other great orators that kept audiences glued upon their every word. Who would have thought such a thing could unite, in whatever flavor, a world so easily divided.

            I can’t wait to hear the rest of the story.

***

  1. “Shotgun” by Anna of the North and Hver gang vi møtes
  2. “Ride or Die” by Hippo Campus
  3. “DANDELION” by ill peach
January 24, 2022 0 comments
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