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| Weekly Post-Eds |

Weekly Post-Ed #66

by Robert Hyma March 20, 2024
written by Robert Hyma

A NEW GAME TO PLAY

Over the past two weeks, I’ve been cold-approaching women in public. Cold-approaching is a term used in the pickup artist community; it means to go up to a person and begin a conversation. Ever since I started reading Neil Strauss’s The Game: Penetrating the Secret Society of Pickup Artists, I’ve been fascinated with all the things I never knew about being social (as opposed to the psychological toolkit proffered by pickup artists to optimally seduce women).

Courtesy of Amazon

I don’t fancy myself as someone who wishes to seduce (or could pull off the sorts of magic tricks, blatant techniques offered in the book).

But the social-skill aspect of approaching people…That has been fascinating to experiment with.

Some background: I wouldn’t call myself socially inept. I’m not clueless with how to speak to others, even women. Like many creative types, I’m predisposed to an introvert’s lifestyle, finding pleasure in time alone with hobbies/projects than seeking the battery refill of social interaction. That being said, when it comes to speaking to others, I have a fairly rote set of skills that aren’t up-to-date. Much of what I learned involves asking open-ended questions and keeping someone else talking. This is fine if my intention was small talk, or a polite conversation with a stranger, but when it comes to a more meaningful connection, asking questions is like a table with only three legs—it can stand upright but, you know, just barely.

The problem with wanting to test new social skills as someone older is there isn’t a steady place to practice. In my situation, I happen to have a burgeoning college campus full of students just waiting to be spoken with. So, setting out to try a few lessons from Neil Strauss’s book, I set out to test my skills this past week.

***

THE TOOLKIT

The first step was to apply a few useful tips from Strauss’s book. In no particular order, I sought to do the following:

Have an Opener: Really, just a rehearsed scenario that I could begin a conversation with. Here’s what I used:

“Hi, let me get your opinion on this. My sister’s birthday is coming up and I’m buying her a shirt she’s been wanting. I’m not sure if she’s a small or a medium, which size should I go with?”

It’s a solid opener because it invites a casual response (something that isn’t too difficult to have an opinion about) and appears harmless. It’s disarming and allows me to convey confidence in approaching a perfect stranger about this dilemma.

Set a Time Frame: Don’t just approach someone and gab on about something you’d like their opinion on. Most likely, a stranger is thinking two things when you approach: What does this person want, and how long are they staying around? So, to mitigate one of these concerns, it’s a good idea to disarm the concern that you’re not about to leave with a statement of how long you intend to stick around.

I used this one since I was on campus: “I only have a few minutes and then I have to get to my next class.”

I was skeptical that this would be so impactful, but I could see the tension drop away. A time frame was relieving. Who knew?

Don’t be Results Dependent: A huge problem with my previous social interactions has been expecting a certain result: exchanging phone numbers, assurance of a followup interection, acknowledgment that I was the most perfect man and how could I have not come along sooner…

(You can see some of the psychology for why it’s been a struggle. I haven’t, as Esther Peral famously prescribed, “calibrated expectations”.

With strangers, frankly anyone, I wanted to be the most likeable person who could win their affections. If you’ve tried this before, the results are obvious: If you’re desperate to be liked, not only do you appear disingenuous, but will fail miserably. Desperation is potent like Body Odor or blood in the water—people have a sense for it and it isn’t desired. Not socially, at least.

Letting go of results also takes away the pressure of approaching others—simply saying a few lines, playing with the conversation, and then saying, “Thanks. Nice to meet you,” are all acceptable ways of ending things if it isn’t going well.

And many times, things going poorly is as much about luck and chemistry as it is about social prowess.

Speak in Statements: Statements are the language of intimacy, I’ve come to realize. Statements take a stand. Friends talk to each other in statements. In fact, I’d wager the reason we love and care for our favorite heroes in stories is because they mostly speak in statements. It’s simply the door opening to the soul.

Questions are interrogative, like being on a job interview. I’m a great listener and question asker, which isn’t surprising—the writer in me is a natural investigative journalist. But being a great question-asker also means I don’t participate in conversation. Asking questions, I’ve realized, means I’m not offering anything to the conversation about myself. Essentially, I’m hiding behind the lopsided expectation that others should speak and I can sit back and watch them—like an audience. Is it surprising, then, that I’m the one to fall in love with others instead of their falling in love with me?

Of course: They’ve been making statements and have demonstrated character, while I’ve been most often anonymous and asking questions.

With this toolkit memorized, I set out to talk to women on campus.

***

IN THE FIELD

If the pieces of advice I listed above seemed intuitive enough, putting them into practice was a completely different experience. For example, I had not taken into account the entire lifetime of built up social fears and belief systems that made it impossible not to flounder on the first few approaches.

My first approach was with a fashion designer at a coffee shop. She had been reading a book about entrepreneurship and I started with a question, “What are you reading?”

She answered. I couldn’t recall what she said because I was petrified. Up close, she was prettier than I had anticipated. Everything I had coached myself to try had gone out the window. So, I reverted to my default social ability: I asked interview questions.

“Are you looking to start a business?”

“What other things have you designed?”

“Is this for college?”

On and on and on about her fashion dreams. And me? Nothing to report—I didn’t say anything about myself. I could have been an undercover IRS agent for all she knew, which is about how she looked at me after the fifth or sixth question. To my credit, though, I recognized the conversation wasn’t going well—certainly not organically—so I thanked her for her time and said it was nice to meet her.

A class crash and burn, but also a start of something. Where I might have just walked past this person’s table, I stopped and attempted a conversation. So, at least a passing grade with a first attempt.

Partial credit is better than none.

The second interaction this past week was on campus. Spotting a girl sitting in the warm sunlight outside of the library, I approached with an opener I had been turning over in my head. I mustered up the courage and then approached to say:

“Hi, I could really use your opinion on this. My friend was dumped by his girlfriend a few weeks ago, and he keeps texting me that he needs closure in order to move on. Should he text her about what happened?”

Ok, maybe a little too autobiographical for complete comfort, but it worked. She told me that it was never a good idea to try to get back or ask for closure with an ex (a sensible and correct answer). I asked if she’s ever had guys try to contact her after a breakup. She said no and that her mother always steered her right on these matters.

“Help my friend out,” I said, feeling more confident after sensing things were going well. “If you’re being approached by a guy, how should he come up to you?”

She thought for a moment and said, “Not like this. If I’m at a library, I’m working on something. At a coffee house, I’m just trying to get away and have a cup of coffee, maybe read.. If I want to meet a guy, I’ll go to a bar or to a club and go dancing. It makes sense to come up to me there. Anywhere else and it isn’t organic.”

I was surprised by her answer, organic. “You wouldn’t want to be approached at the library? Even if it was Downey Jr. coming up to you?”

She smiled. “Well, that’s different.”

I laughed. “Ok. So, at a bar or a club. Is that where you meet guys?”

She dropped her smile. “Oh, I’m not 21. But, yeah, that’s how I would want to meet guys.”

Ouch, that age difference between her and I. Yes, it was time for me to leave. “Well, I have to run to class, but thank you—I’ll tell my friend what you said.”

“Hey, what class are you going to?”

I smiled. Yes, the hook; the point where she’s interested and asks a question about me. I hadn’t expected this moment, but was flattered that it had come. Too bad the age gap between us was about 13-14 years—something I’m not willing to pursue. I said a class, the lie was white and innocent, and I took my leave.

And gave myself full credit as I walked on.

***

DRUNK TESTING

Whether cold-approaching does anything for my social life, the jury is still out. It’s true that I have more confidence since trying some of the approaches from Neil Strauss’s book, but this could also be an uptick in confidence due to experience. I’m not convinced that any of these prescribed techniques works for me specifically, but I am also at a crossroads in life and trying something new is entirely worthwhile.

The process of cold-approaching, like anything that’s been worth doing in my life, has been the most fun anyways.

Over the weekend, I travelled to Detroit to visit a few friends. I talked about cold-approaching at an Irish pub, and after a few Guinness’s each, we each took turns pretending to cold-approach the table as though we were striking up a conversation with a bunch of strangers. Each attempt was more ridiculous than the last, and we never were convincing to one another. It didn’t matter—after every try, we all sat down to laugh at how ridiculous we looked and sounded. It was great fun.

I realized on the drive back to my friends’ apartment that the fun rested entirely in the aftermath of any of this cold-approaching business. It was never about being successful with women or being considered a social darling—it was all about the fun of having an experience and sharing it with some close friends. We were all drunk, having a great time, and there wasn’t much else that mattered (besides getting home safe).

I’ll have to test some more in the coming weeks, but I did discover a new technique for mitigating the anxiety of approaching others: When one is hungover with blistering headache, there isn’t much energy left to care about how socially graceful you are.

So cheers to me and you, my friend: To more adventures, wherever they may be.

***

Justin Timberlake’s “Everything I Ever Thought It Was” album, courtesy of Spotify

Justin Timberlake’s new album “Everything I Ever Thought It Was” album released over the past week. It’s wonderful. Everyone should have a listen. I’ll listen the three tracks I’ve had on repeat, but the album is truly a work of renown.

In a sweeping series of promotions, Justin Timberlake also featured on NPR’s Tiny Desk Concert series, reprising some golden favorites. It’s a fantastic use of 25-minutes of your life to give it a watch. I’ll include a link.

  1. “No Angels”
  2. “Sanctified (feat. Toby Nwigwe)”
  3. “Selfish”

***

Wishing everyone as well as you can be. You’re not alone out there,

March 20, 2024 0 comments
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| Weekly Post-Eds |

Weekly Post-Ed #47

by Robert Hyma October 26, 2022
written by Robert Hyma

Down With Paragraphs

It’s good to see you again, it’s been a while, jibber-jabber, jibber-jabber, it’s good to be back, you look great, obviously! 

But hey, let’s get to the point:

My new stance on paragraphs: I’ve been painstakingly formatting Weekly Post-Eds with indentations since this website began, but I’m slowly coming to understand this is NOT the preferred formatting on the rest of the internet. And, I already knew that before indenting, but I’m doing away with it for the pain-in-the-ass reason that not all browsers/viewing experiences mesh well with indentations. Sometimes indentations appear correctly, like so:

            “Hey, I’m a happy indented line! Don’t I look nice and formatted?”

But other times sentences look like this:

                                                            “What the hell happened here, Robert? Why are you starting in the middle of the page? What in the f*** is wrong with—”

You get the point. So, for the next while I’m joining the ranks of the rest of the internet and nixing paragraph indentations. It’s a test run, but I’m assuming it will stick around.

Ironically, in my personal writings, I never indent paragraphs. Funny how I do the opposite when presenting my writing.

Anyway, onto more indentation-less goodies.

***

She-Hulk Thoughts

The latest experiment from the Disney+ Marvel Cinematic Universe was another attempt to improve the streaming service television formula. She-Hulk: Attorney at Law followed the sagas of Moon Knight, Loki, WandaVision, and Hawkeye, as each carved out a niche with their respective heroes and furthered the debate about what works and what does not within the scope of MCU limited series.

She-Hulk: Attorney at Law used a gimmick that no other show could, something that is inspired from the comic books: breaking the fourth wall. Jennifer Walters often speaks directly to us, the audience, about the state of things (the show, characters, lazy storylines, etc). Whereas breaking the fourth wall isn’t a new invention (especially with the recent duo of movies featuring Deadpool that did it so well), I couldn’t help but notice something was different about this iteration of the theatrical technique. Breaking the fourth wall wasn’t so much about addressing the audience or being socially aware of tropes within the superhero medium in this show; there was something else going on.

That’s why I waited to write anything about She-Hulk until after the show concluded. 

The show featured a refreshingly female take on the world of superheroes and what it means to be marginalized and stereotyped as another “Hulk figure”, something that mirrored the arduous and infinitely frustrating journey of being a woman in modern day America. Jennifer Walters combatted what the world thought of her, warping her own perceptions through a lens of pop-culture, modern gender roles, and exceptionalism (as well as the ugly underbelly of internet message forums that seeks to defame or destroy women entirely). 

The series was 9-episodes long, most of which were frustratingly comical or situational. “Where is this going?” I found myself saying to my computer monitor during the credits of each building storyline. There wasn’t a main villain, no obvious thread that connected to the movie universe, nor was there any discernable urgency for Jennifer Walters to overcome some mounting problem. I felt I was watching “a day in the life” of the protagonist as she assailed issues from all sides of the feminine spectrum.

I was frustrated, but I would come to understand that the seeming monotony and subtlety of the series was playing into the overall message of the show. 

And by the finale, everything would pay off in spades.

The finale of She-Hulk: Attorney at Law is one of the best I’ve ever seen in television. My earlier intuition that fourth wall breaking was leading to something more came true in the most visceral sense. The climax of the finale featured the usual mashup of characters, all combatting one another in a stereotypical and unfulfilling superhero fashion.

Until She-Hulk breaks the fourth wall a final time, literally breaking out of the Disney+ show.

Jennifer Walters was finished with the restraints that every other MCU streaming show has encountered until this point. It was a proverbial rite of passage to break free of formula and superhero tropes. The screen froze, She-Hulk surveyed the Disney+ desktop main menu, and enters another show to demand answers for why her show has been so directionless and kische.

I won’t spoil the rest. It’s a wonderful half-hour of television. Most importantly, I found that the monotony I was experiencing was purposeful, a slow realization that the subtle irritations Jennifer Walters faced on her journey were the public expectations of comic book fans from the internet, and also men with patriarchal views about outdated gender roles, and the total absurdity of finding true belonging in a world that wishes to pull a person a million different directions for the sake of fitting into an outdated and worn paradigm—even the superhero cliché. 

Ultimately, the show was asking how anyone (primarily women) can find their place in the world, one that makes sense and is liberating?

It’s a question that women face in nearly every facet of life, something that She-Hulk: Attorney at Law showed a glimpse of through the guise of a superpowered Hulk lady.

This was the best television show yet from Marvel Studios. I enjoyed the risk-taking and breaking of old formulas. It’s an exciting place to find the MCU exploring, and I can’t wait to see what other issues can be worked into the fabric of new characters. 

I’ll be rewatching She-Hulk: Attorney at Law. It’s the first time I felt that way about a Marvel Disney+ show thus far. Well done!

***

The Merry Blokes of Merry Wives

“The Merry Wives of Windsor” @ Grand Valley State University

Theater departments are doing the best they can. That’s the first thing to understand when attending student productions at any university. Some are better than others, but I often find that the ones that present student struggles give the most to talk about.

Before it appears that I’m a total duschbag to the handful of Grand Valley State University theater students that are polishing their acting chops on the stage, this is not my intention. I was a horrible actor in college (let’s be honest, things haven’t exactly improved with age in that department) and I understand it takes many at-bats to figure out what the hell to do with any character. I’m not criticizing the students…

But the Director on the other hand? Oh, let’s talk about those creative choices.

The play I saw last weekend was “The Merry Wives of Windsor”, a Shakespearean comedy about the sneaky exploits of the wives of the male protagonists too enmeshed in their own egos to see they are being easily manipulated. It’s a wonderful play and I enjoyed this viewing thoroughly enough.

Except for two reasons characters.

Shallow (a character given the modern makeover as leather-jacketed preacher) carries an entirely INCOMPREHENSIBLE Scottish accent. My date and I ratioed that we understood 1 in 5 words. Secondly, Doctor Caius is often portrayed as a bumbling Frenchman. This rendition, however, featured a French accent that often slipped into German pronunciations, then trailing into potentially Swedish accents. Needless to say, Doctor Caius had just as poor delivery as Shallow.

When the inevitable occurred and the two characters vomited lines of Shakespearean dialogue at one another in a scene featuring only those two cantankerous actors, it was pure drivel.

I don’t blame the students donning their roles. I blame the decision to give these actors the direction of being incomprehensible in a play by William Shakespeare, perhaps the greatest wordsmith in the English language! It was like the Louvre opting to paint lines over the Mona Lisa, or playing a laugh track over Beethoven’s “9thSymphony”.

Just…why?

After a few days of pondering, I think I know why these incomprehensible characters were allowed to gallivant the stage in this fashion.

And I think it gives a modern lesson: sometimes a car wreck is the most effective entertainment.

It was certainly that on a cold fall evening on GVSU’s Allendale campus.

As Shakespeare once commented on his own works: “Suck on that, Bard. I’ll say it how I want.”

(No, he did not say this.)

***

I’ve been listening to an entire album by Sure Sure called the “Lonely One” EP. It’s another solid release by a band that generates danceable hits and deep digs and themes with their music. Below is the track listing. Be sure to check out “Facc” “This Time” and “Funky Galileo”, some new favorites of mine.

“Lonely” EP by Sure Sure
  1. “Lonely One”
  2. “123”
  3. “Facc”
  4. “This Time”
  5. “Peaceful In My Mind”
  6. “Funky Galileo”
  7. “Receive”

***

Wishing everyone as well as you can be. You’re not alone out there,

October 26, 2022 0 comments
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| Weekly Post-Eds |

Weekly Post-Ed #46

by Robert Hyma September 22, 2022
written by Robert Hyma

DICAPRIO TAKES NO S***

I’m terrible at saying Thank You. All my life I’ve struggled to say it. I know what you’re thinking: wow, what an ungrateful and selfish human being. Robert Hyma can’t say thank you? Suppose a surgeon finished removing a tumor the size of a Jeep Cherokee headlight from his leg, would he puff up his chest, grin like a 40’s gangster, and say, “What? That’s what they pay you for, Doc! I’m outta here…”?

            In another life, one in which I’m terribly cruel to other human beings (and perhaps introducing the torture of impalement), that’s exactly what I’d say. However, my real response would be just the opposite: 

            I would track down the surgeon, ascertain his address, type up a heartfelt letter (that probably reveals a childhood traumatic event that he had also helped clear up), and hope that – along with the many thousands of dollars I owe with my insurance co-pay – that I wish there was some other way I could show my appreciation for his having saved my life.

            That’s because I have the exact opposite of a Thank You problem.

            I have a “can’t say Thank You good enough” problem.

            Unlike most of my adulthood issues, I know where this problem started. On Christmas Day when I was about 10 years old, my mother (or Santa, depending) gifted me what I had been asking for all summer: a CD case for my growing collection of comedy albums. I had imagined a sleek, faux-leather double-sleeved case with a rain-proof zipper, the kind you took along for long road trips just as importantly as one of those hygiene travel bags stuffed with a toothbrush, facial cleanser, and deodorant. 

            When I opened my present that Christmas, instead of the premium CD case of my dreams, it turned out to be a rough-fabric, camouflage, single slot CD case—just the opposite of the sleek, trendy one I had wanted.

            My mother waited eagerly for my response to hear how pleased I was. “Do you like it?” she asked.

            I might as well have been Leo DiCaprio from The Wolf of Wallstreet. “This?” I said, turning over the camouflage aberration in my hands. “Look, this isn’t what I wanted. I mean, I wanted a CD case – you got that part right – but what is this? Camouflage? Really?”

            I gave my mother a “you know that I know that this ain’t it” look.

Steve Martin’s “Let’s Get Small” album

            Except she didn’t know. In fact, she silently moved away from me, like an extra on a movie set being directed off-camera because her part in the scene was over.

            Meanwhile, I thought I was objectionably correct. It was a shabby CD case. And who was it for? It was camouflage: supposing I was going to take up hunting, I imagined a herd of deer in the woods might race past my collection of CDs and would not be tempted to steal them (as we all know herds of deer are wont to do). In hindsight, this thought made much more sense since my most coveted CD at the time was Steve Martin’s “Let’s Get Small” album, which was damn near impossible to find in West Michigan at the time.

            With a shrug, I watched my family finish opening their presents, loosely aware that my mother’s stare into the middle distance—a despondent look that usually accompanied shame and embarrassment.

            What I didn’t notice, however, was my father’s vengeful glare from across the room. Shortly after opening presents, he pulled me aside with a swift wrench of the arm.

            “Why did you say that to your mother?” he growled.

            Hey, DiCaprio takes no shit, so I showed him the CD case. “Have you seen this?”

            He swatted the CD case out of my hand, and it landed on a nearby armchair. “It doesn’t matter what it is; your mother gave that to you because she loves you. Now go say ‘Thank You’ and really mean it.”

            He didn’t yell, just growled like the inner Grizzley bear that seldom came out whenever my sister and I did something insensitive. We never saw the bear paws, but we always saw the tracks on the ground.

            I sighed. He was right. I was a jerky jerkwad. So, I sheepishly went up to my mother. “Hey, Thank You for the CD case.”

            “You’re welcome,” she smiled. “I’m glad you like it.” And she gave me a hug.

            That next Christmas, I said Thank You to her again for the gifts. I don’t remember what they were, but I made sure to say it regardless.

            I had seen the Grizzley tracks nearby.

***

THANKS FOR THE PIZZA

            23 years later and I still haven’t forgotten the lessons of saying Thank You to those who do something thoughtful. It so happens that I felt the same obligation to give another satisfying Thank You this past week, this time to the gift of a pizza party following Thursday Night Hockey.

            I seldom write about this part of my life that has been with me for well over a decade now. Once a week, I play hockey with the same group of guys in something affectionally called Thursday Night Hockey. It’s a weekly gathering of the relieved; twenty of us working up a sweat on the ice and then clambering to a dank locker room to guzzle cans of beer afterwards. We gather at an ice rink, an oasis located just off the highway, with brick walls and painted black ceilings that likely hide the real killer among us: a steady trickle of asbestos falling like invisible snowflakes.

            It doesn’t matter.

            No one minds the late-night skate time in the middle of a workweek or traveling far to play (many coming from 20 or more minutes away). That’s because Thursday Night Hockey is about camaraderie. And despite the mindboggling averageness of our hockey skills over the past decade (yes, mine included), we gather like a tribe, celebrating that we’re together in the first place.

            Of course, you would never say this out loud (you would much rather write it on a personal website and assume it is true).

Dr. Suess’s “The Sneetches”

            Over the summer, our weekly gatherings morphed from a late-night happy hour to something that resembled an open house or campfire cookout. Where there was beer in coolers and idle conversation at the start, there was soon JBL speakers pulsing with 80s rock ballads and a Sam’s Club sized pretzel mix container being passed around. Most brought canvas chairs, others preferred to stand, which invariably created a “Sneetches on the Beaches” scenario of those who sat versus those who remained standing.

            The comforts kept growing, and I wondered if the summer had lasted another two months that we might had had portable firepits, pavilion tents, assorted cheeses and meats on a charcuterie board, and maybe hire a caricature artist for an evening.

            Ok, I’m exaggerating: the caricature artist would only be invited if they brought the beer.

            So, for the first time in our history, we decided to celebrate the final skate of the summer with boxes of pizza.

            If you’ve never woofed down pizza at 11:30 at night, there are consequences. Not only does one mentally note if a bottle of Tums is stocked at home for afterwards, but there’s also concern for how the pizza arrives.

            The pizza was delivered from Dominos by a driver with questionable delivery skills. With thick-framed glasses and a beard of a man who likely dwells in the mountains, the delivery guy turned into the ice rink parking lot with his brights on, needing the light of a medium-sized star to see twenty feet ahead of the front bumper. He then stopped the car in front of our group and pulled a 36-point turn to aim his car towards the exit of the parking lot. We all watched in amazement at this five-minute-long process. Maybe this driver had a former life as a bank heist driver, sitting out front with the engine running, waiting for a trio of guys with stuffed duffle bags and ski masks to shout, “Go! Go! Go!” before stomping the gas pedal.

            We all looked to one another, skeptical about how great a condition the pizza was going to be from this guy.

            Luckily, after the private stunt show, the delivery driver peeled away, the pizza safely delivered on a folding table. Twenty of us flocked to paper plates, steaming slices of pizza, and another beer in tow. No one cared about the consequences of eating heavy pizza late at night; we reveled as this group knew how: talking about anything else but hockey, drinking beer, and laughter, lots of laughter.

            We were all having a great time.

            Until I looked down and saw the Grizzley bear tracks at my feet. 

            I realized I was going to have to say Thank You to the guy that provided the pizza, the organizer of our weekly gathering, Jonny.

            I was one of the last to leave, mostly because I watched with envy how the others said Thank You, as though they never received a camouflage CD case at Christmastime, and have never lived with a guilty obligation to over-stress a Thank You. “Thanks again, Jonny,” they would say and walk away, not even looking back for affirmation they were heard or not.

            “Oh,” I thought. “That’s easy. I can do that.”

            I blew it immediately. I approached Jonny like I had two royal trumpeters finishing their introductions before I could speak—I just hovered awkwardly, waiting for an opening. I imagined my herald introducing me: “May I present to you, Sir Robert the Dumb, of Making-This-Harder-Than-This-Needs-To-Be”.

            Finally, I took my opening. “Thanks again for the pizza, Jonny. That was very thoughtful, and I appreciate it.”

            I heard the record skip. It was very thoughtful? AND I appreciate it? Was I talking to a girlfriend over our first Christmas together, and I was reassuring her that it was the effort that counted the most? No! I was talking to middle-aged hockey players: guys with 401Ks and bustling family lives—you know, normal people who don’t need validation for providing boxes of pizza.

            “Yeah, no problem,” said Jonny.

            Of course, to my Thank You impaired brain, this wasn’t enough. I felt I needed to keep getting through. Best not leave now, I figured. I should find another opportunity to fit in a joke, stick around for a while longer—just something to show an indication that I was REALLY thankful.

            I said a joke.

            A polite laugh from Jonny. Grizzley bear tracks all around.

            Obviously, I had to keep trying harder; can’t leave after a so-so joke.  Maybe I could offer to help clean up, take care of the folding table, make sure—

            “Do you want to take the pizzas home?” Jonny asked suddenly. “I’m just going to throw them away. Better take them if you want.”

            Relief. Exoneration. Something I could do to show appreciation. I hid my glee. “You’re sure?”

            “Yup, otherwise it’s going in the trash,” he said.

            I repressed a smile. “Cool, I’ll take them if no one wants them.”

            No one else did (401ks, bustling family lives). I scooped up the two remaining pizza boxes with extra slices stuffed inside and headed towards my car. I didn’t want the pizzas, but by taking them I showed how thankful I was for the pizza…ok, I would eat a slice on the road, but still!

            And I did it all without tracking down an address, writing a letter, or revealing a childhood trauma that was also resolved in the process.

            Well…

            Anyway, I drove home with pizza boxes steaming on the passenger seat, unsure of how I’d store the slices in my already crammed refrigerator at home. Oh well, I was confident I could find space for it.

            Just like the camouflage CD case that I still own.

            Hey, DiCaprio takes no shit.

            But he does take home leftovers.

***

  1. “High School in Jakarta” by NIKI
  2. “hell yeah” by corook
  3. “Heat Above” by Greta Van Fleet

***

Wishing everyone as well as you can be. You’re not alone out there,

September 22, 2022 0 comments
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| Weekly Post-Eds |

Weekly Post-Ed #18

by Robert Hyma November 23, 2021
written by Robert Hyma

ALIVE FROM NEW YORK

            This marks my first non-video game themed website design. It’s based on the current look of Saturday Night Live, combined with some added flourishes like an 2D-designed Chrysler Building next to the text. It felt like a time to laugh, and SNL is the source I go to for most laughter these days.

            That sketch show is special because it has done something no other show on television has—evolve with the times. Its purpose is straightforward: to make people laugh, but the route the show has taken has always been ever-changing. Generations of comedians and writers have mixed up the formula, some preferring a contemporary sketch show, others a zanier, aloof style of sketches that have nothing much to do with current events. The show can be penetratingly satirical or drug-inducingly avante garde, and both work.

            I chose SNL as the design for my website because it’s something I need right now. I’ve never been a consistent SNL viewer, but I find the show more important than ever these days. Partly because of the political climate, along with the rampant irrationality that spreads across a nation further defined by polarization, but also because the show is a reminder that a group of people can come together and try to make something people can laugh about. It’s the purest form of, “getting on with the show,” something America should be reminded to do now and again. We could all use a little more laughter instead of endless, unwavering, and suffocating scrutiny about who is right and who ought to be ostracized.

            Below are the graphics I’ve made for the redesign:

***

“AT THE SAME TIME?”

            WARNING: upon a second edit, this section is quite crass. Viewer discretion advised.

            I had a 24-hour stomach virus over the weekend. I told a select group of people about it (co-workers, family) and they said, “Oh, no! I’m sorry to hear that!” which is the correct reaction (it beats: “Finally! What took so long?”) However, what usually follows a proclamation of sympathy is this strange investigation into what type of stomach flu it was:

            “Did you have vomiting and diarrhea? Both? AT THE SAME TIME?!”

            Maybe there’s a tiered system of stomach virus/flu and only the most severe of symptoms garners the most sympathy. Like: “Oh, it only came out of ONE end, did it? Sounds like it wasn’t so bad after all.” (And I imagine this being said with a pompous twirl of a scarf as this person walked away—which seems more insulting than it ought to be).

            Luckily, I didn’t have both symptoms of stomach flu (vomiting and diarrhea) at the same time. I had the former, primarily, which wasn’t a picnic. I’m not sure who enjoys uncontrollable vomiting, but I’m sure there’s a select group of people out there, and they must have a magazine. If it’s out of print, I’d like to have an issue or two to see what headlined the front cover.

            “Finally lost control and I liked it!”

            And…

            “The colors that came out of me! (And what this means for your horoscope!).”

            If you have a mind like mine (which you don’t, so feel lucky), you start to contemplate the phrase “At the same time,” a little too literally. I started to wonder what it would be like to vomit and have diarrhea…but coming out of the same end. Imagining both in conjunction with the sphincter isn’t very creative since most diarrhea already feels like vomiting and feces are typical combo meal, like surf and turf (which is, ironically, would be a great name for this condition in the first place). No, we’ve all experienced that liquid-blast-hybrid-mix diarrhea of the flu before, that’s nothing new.

            I mean the other way around: what if diarrhea took the stairs and came out the esophagus along with uncontrollable vomiting?

            Knowing my luck, and history of bowel movements, it wouldn’t be liquid-based and runny diarrhea, but a thick, slow trickler inching upwards towards the roof of my mouth, as stubborn as a cork untwisting from a bottle of overly carbonated champagne. After a few bouts of vomiting, there would be a backup, and nothing would come out. It would sound like an engine that would not turn over (gerp, geep!), and my airway would be completely clogged. My head would jerk as though something ought to be happening, but nothing would eject.

            In a panic, I’d race about the bathroom, looking for anything to unclog my throat. Rummaging through drawers and wasting precious oxygen, I’d look for a roto-rooter. Only, I don’t know that is, I’ve only heard of its use of unclogging clogs. Instead, I’d find an old, dusty toothbrush, a skinny one, and cram it down my throat, only I’m too slow to recognize that I’m compacting feces into my airway instead of poking a hole through the blockage.

            With my muscles weakening from the lack of oxygen, my vision gets blurry. I can’t call anyone, can’t text 9-1-1 because it will be too late, and I will be the only human being besides some sick, medieval torture victims to have died from human waste crammed in their breathing tube.

            Then, the answer would hit me: there are straws in a downstairs kitchen drawer. Quickly, I would retrieve one, pushing it through the thick sewage. After using up a few straws (they get clogged, too—you’ve never had a McFlurry before? Same problem), the last one gets through, and I can breathe like someone with intense emphysema (or so I’ve been told by drug-resistance programs since I was a kid—“It’s like breathing through a straw!” they told us over and over again. And then a police officer would pass out straws and have us breath for two minutes only through the straw and would receive a prize at the end if we could do it. We all did, because it turns out that breathing through the nose is silent, and there were many winners that day–to the shock and awe of the Township’s finest).

            Anyway, I survive long enough to text a family member, debating if I should receive the Heimlich Maneuver or just call 9-1-1. I pass on both and decide to drive myself to the hospital, leaning over the steering wheel in such a way that doesn’t bend the straw lodged in my throat. After pulling up to the ER entrance, a nurse would surely see what was the matter, shake her head (ER nurses have seen it all), and say, “Stomach flu, huh? I’m sorry to hear that. Vomiting and diarrhea? AT THE SAME TIME?! This way please…”

            And then the world materializes. 

            I’m sitting at the breakfast table with my parents. We’ve just finished a discussion about coupon codes for buying scented soaps for Christmas. All is quiet. I shrug, sip my coffee (it’s cold, I spit it out), and think, “That was a weird thought. I should write that down.”

***

THE KYLE RITTENHOUSE VERDICT

            Like most of America, I’ve been trying to conceptualize how this guy was found Not Guilty on all counts. Also, like most of America, I’m not surprised that he was acquitted. In trying to understand how it all happened, I’ve found the best answer possible, and it turns out the musical Chicago handled this exact situation some 46 years ago in 1975.

            So, if you’d like a recap of what happened in the trial (missing the sobs and cries of another white man realizing he may feel guilty about killing two people, of course), please see the video below:

***

I have one recommendation for this week and it’s the entire Shang-Chi and The Legend of the Ten Rings album.

The track selections are some of the best hip hop, rap, and pop songs I’ve heard in a long time. The entire album is a joy, particularly “In the Dark” by Swae Lee and Jhené Aiko, as well as “Fire in the Sky” by Anderson .Paak. Please, check it out!

Shang-Chi and the Legend of the Ten Rings ALBUM

***

Wishing everyone as well as they can be. You’re not alone out there,

November 23, 2021 0 comments
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