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| Weekly Post-Eds |

Weekly Post-Ed #62

by Robert Hyma January 24, 2024
written by Robert Hyma

“I’M A DICK BEFORE I AM.”

I’m currently in my last semester to attain my Bachelor’s Degree in English Literature. After two years of attending classes, I’ve realized there is a tipping point for when one has been at college TOO long.

It came when reading a textbook, of all things. As I was reading opening chapter, I suddenly thought, “You know, this is a REALLY GOOD textbook.”

[planet earth exploding]

A textbook? I was inspired by a textbook. That’s like being inspired by the text of Apple’s Terms and Conditions agreements. “Hey, these are really well written, you know that?”

But maybe I’m not being fair. If you read the textbook, you might also agree that it’s pretty damned good. Here’s what happened next:

The textbook in question is from a linguistics class called Language and Gender: Second Edition by Penelope Eckert and Sally McConnell-Ginet. Essentially, the class is a sociolinguistics course—which is academic babble for how language shapes society. This class, in particular, explores how language has impacted ideas about gender from a historical and cultural perspective. 

The first chapter started with a bang with this argument: Gender is a social invention.

It was incredibly convincing. In thirty pages, the authors of the textbook broke down what it is like to be raised to taught, observe, and otherwise value deeply entrenched gender standards that reach back as far as civilization is concerned. I’ll save the research section for those interested in pursuing the subject, but one piece of evidence has stuck with me:

Infants as old as two-days-old change the pitch of their cries based around if a caregiver is male or female. It’s a slight change in pitch, something measurable only with a fine instrument, but the change is readily observed.

By the end of the opening chapter, I felt like I was yanked out of The Matrix and awoke in a tub of pink goo. I subsequently wondered why it had to be pink and not blue goo, the sort that boys would prefer in a dystopian human-battery plant, but that’s beside the point. 

I spent the following three days casing over how environment has influenced my identity, ideas, likes/dislikes, relationships, career decisions, music tastes – in short, everything. 

By the end of the week, I wasn’t sure of who I was anymore. Was I just a pair of eyes and loosely working system of neurons that has absorbed advertising and consumerist ideals on a scale on an unconscious level? Am I just a mimic for all that has been told or taught to me?

I had turned into a Gender-focused Renée Descartes, pondering if my existence was a figment of some demon’s oddly white male and patriarchal imagination.

Descartes, for those foggy on the famous philosopher, would soon conclude of his existence: “I think, therefore I am.”

But I couldn’t keep the record from skipping when it came to environmental influences. I kept asking myself, “If I ask a girl out and have no idea how she’s been subjugated for a lifetime of unequal treatment, does that make me a dick before even saying hello?”

My conclusion was similarly Cartesian, but slightly different: 

“I’m a dick before I am.”

By the weekend, I was exhausted. Trying to piece together your life by considering EVERYTHING EVER is a little like dumping the entirety of your household belongings in a big pile in the living room and asking, “Ok, but what does it all mean?!” It’s a stupid thing to do all at once.

Admitting defeat, the only thing I could do was pick up the textbook and continue reading. 

That’s when I found a rather surprisingly passage from the authors. Instead of accepting the dystopian future we’re all headed for, they wrote something unexpectedly uplifting about the nature of social systems—for those in apparent control and everyone else. This is what they wrote:

“While social structure and available resources provide constraints, it is people who decide just how constrained they will allow themselves to be (and others who try to enforce or help loosen those constraints)…We do not forget that on a day-to-day level, style is not usually a serious business – rather, it is the spice of life.”

Eckert, P., & McConnell-Ginet, S. (2013). Language and gender (Second Edition). Cambridge University Press. 48.

The pile that was my life that I had dumped on the floor was suddenly cleaned up. 

It was like hearing the famous conclusion of Renée Descartes, “I think, therefore I am”, but with a lemony twist on top, “Plus,” the great philosopher might have added, “it’s more fun that way.”

It’s a much more liveable way of existing, don’t you think? I’ll rephrase: 

“I style, therefore I am.”

 ***

AGDQ 2024 FINALE, HURRAY!!

This past week was the bi-annual speedrunning charity marathon event Awesome Games Done Quick. For those in the know, it’s a charity marathon streaming 24/7 on Twitch.tv for seven days that features a slate of video games being beaten as quickly as possible. The event draws tens-of-thousands of viewers and raises obscene amounts of money from a community of dedicated gamers and fans of games for a great cause: The Prevent Cancer Foundation.

I’ve watched the marathon every year and it continues to impress with speedruns that showcase the toughest tricks without a hitch. And while that is masterful to watch, there is something deeply inspiring when watching something go wrong and how one responds to it.

There was no better example than the finale of AGDQ 2024 when the final run hit a “snag” that had to be figured out in front of a live audience. The runner, Zic3, needed to level up a character in Final Fantasy V: Pixel Remaster, but the only fight was something his roster of fighters were greatly under-leveled for. The result was watching twenty minutes of frantic trial and error as the runner and his Couch Commenters (FOXYJIRA and W0ADYB) conferred back and forth for how to beat this section of the game.

It was the most inspiring example of grace under pressure I have seen in a long time. While the host, PROLIX, kept the audience riveted by reading donations, Zic3 eventually found a way to progress back to the route and complete the run. There were no tears, no gripes of rage or blame, not even a helpless moment of hesitation. The three runners on stage huddled together to solve the problem and eventually found a way through.

There’s something vulnerable and revealing when things go wrong. For me, it showed just how incredible these runners were to focus with all the pressure and continue to work the problem, each contributing solutions.

I’ll link the moment in the video below. It’s worth a watch.

And congrats to another AGDQ for raising 2.5 million for the Prevent Cancer Foundation.

***

  1. “This Time Around” by Beauty Queen
  2. “Skyline” by Hembree
  3. “Fumari” by Peach Tree Rascals

***

Wishing everyone as well as you can be. You’re not alone out there,

January 24, 2024 0 comments
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| Weekly Post-Eds |

Weekly Post-Ed #35

by Robert Hyma May 18, 2022
written by Robert Hyma

IS IT MAD OR MADNESS?

            Isn’t it exciting to write about the latest Marvel thing on a weekly basis? You gotta hand it to the scheduling and release partners at Disney: they know how to keep everyone talking about the latest superhero centerpiece (that goes for Star Wars, too).

            Doctor Strange and the Multiverse of Madness did an incredible job in its promotional material. Throughout the trailers, there were hints that Wanda Maximoff (the Scarlett Witch) was going to accompany Doctor Strange on a Multiversal adventure. This ends up being true, but Wanda is the antagonist of the film, which paved a way for a horror/superhero mashup (thanks to Director Sam Raimi and his expertise of the genre) that explores the ideas of just how powerful someone in the MCU can be. Turns out with great power comes great potentiality for horror and gore.

            And also: just a ton of fun.

            Spoilers aside, this is another MCU movie that explores the larger idea of the Multiverse. And, I’m beginning to see a concern:

            If there are an infinite number of replacements that can fill in for any given hero dying, what does it matter if someone actually tragically gets killed? Can’t we just, you know, replace them with another variant from another universe?

            I immediately thought about Avengers: Endgame when Tony Stark (I suppose spoilers for those who have not seen it…but I’d also ask: what are you even reading this for?) sacrifices himself in order to use the Infinity Stones to stop Thanos. This moment kills Iron Man, as it did Robert Downey Jr.’s portrayal of the beloved snarky genius/billionaire. Well, by the nature of the Multiverse, what’s to stop another Tony Stark (another that looked exactly like Robert Downey Jr.) to transplant into the current MCU timeline? Does it all mean nothing if we can replace the death of Iron Man with a brand new, fresh-off-the-shelf Multiversal variant?

            What about Captain America and his “retirement” to a life with his true love from WW2, Peggie Carter? Do we simply pluck another Captain America (specifically a Chris Evans portrayal of Steve Rogers) from the shelf and continue as though nothing happened?

            I think toying with the ideas of loss in this way is dangerous for how we feel about characters. If there are no consequences, why care about death and loss and stakes at all?

            And yet, I think this plays out much like the nature of playing video games. In a game, you get infinite lives, infinite chances to complete the level/story/playthrough.There are games that are more brutal than others, that punish the player for dying (any Souls-like game, really), but does that make them more satisfying to beat or meaningful to play if the penalty for losing a life costs that much more?

            I think the answer here is no.

            If the point is to see the conclusion of the game, perhaps there’s little value in placing strict punishment on the player for dying. 

            After all, we just want to see what happens next.

            And I think this is why we accept the notion of a MCU Multiverse: we care about the characters and respect who they were in any given story. Just because there’s a Tony Stark nearly identical to Robert Downey Jr.’s portrayal somewhere out there who could just take over the role…I don’t think that means the original fate of the original Iron Man meant nothing. I think it means just as much because Iron Man isn’t a commodity, he was a beloved character we built a relationship with. 

            Without that connection, without those key moments, it doesn’t matter how identical a character appears to be, they will never be the same thing as before. So, naturally, we care about BOTH.

            And we, the audience, understand the difference.

            I think this is encouraging in terms of story evolution. Will we like new properties that have yet to appear such as the Young Avengers and the Illuminati? Yes, I think so. If Marvel has done one thing with the MCU, they have kept things interesting. I want to know what happens next. I don’t know why, but I like what I’ve seen and I want to see more.

            If there’s anything a strong story has at its core it is the ability to make the audience want to turn the page and see what happens next.

            So, after having watched Doctor Strange and the Multiverse of Madness, I say:

            “Cool. What’s next?”

***

THE BEST TIMELINE OF ROBERTHYMAWRITES.COM

            Speaking of multiple universes, is it not likely that this reality (yup, the one you’re reading this from) is not going so well? It’s hard to look around in the year 2022 and think that everything is going swimmingly. It feels like an ancient Egyptian tomb was desecrated and a curse was placed over the land (a never-ending Pandemic, a political landscape close to implosion because of outright zany ideas about racial superiority and those that deserve more than others). 

            I mean, what’s going on? It feels like opposite world: yes means no, no means yes, and somehow everyone finds it ok to pay for internet when it should be free.

            This universe has gone sour.

            Naturally, I can only wonder if there’s a reality out there where Robert Hyma (me) is happy and successful with being a writer and owns a similarly titled website (perhaps called something snarkier like “RobertHymaCreates.com, a much more accurate depiction of someone who does more than just write). Maybe in this other universe, I’ve conquered my fear of possible success and showing people the creative works I make and have no problem accepting a compliment or criticism. Maybe I’ve ridden himself of the anxiety of perfectionism and wanting to make everything as great as possible before showing someone.

            Yes, in that reality, I would be happily married, with delightful children (who adore and respect me, of course—none of that, “Oh, your kids won’t appreciate you or what you do because MINE sure will…in this reality, that is). I will have found financial stability in a way that lets me give back to my parents and community that has been supportive and paramount in shaping me into the competent writer (creator) I eventually became.

            And on and on and on it goes…

            Yeah, doesn’t sound half bad.

            To be fair, though, I should give myself ONE debilitating attribute. No reality is perfect, so let’s say in the best timeline of Roberthymawrites.com I have a horrible fear of mice. I don’t in this universe, but in the other universe, I’m as afraid as Scooby-Doo and Shaggy are of g-g-g-ghosts! From my fame and name, there are those that still hate my work (which, even in the best universe is ridiculous to me, but hey, it is statistically likely that I’m going to be despised by about 33% of people who know of my work). So, they send package after package of live mice to my rather humble home (probably just outside a major city). Someone graffities a whimsical mouse character on my mailbox, my car, even tossing fake mice at my children as they walk to school (yes, in this universe walking to school is still a thing).

            The mice are getting out of hand, and I try to plead with these people to stop harassing my family and home with all the mice. But these mice terrorists are malicious. There’s no convincing them that firing mouse after mouse from home-made catapults is not only a violation of PETA, but causing a huge uptick in maggots and rodents in the area.

            I’m still happy, in this other universe, but the mice are a huge problem. Especially for my nerves.

            Anyway, that’s another timeline. In THIS timeline, I’m just an anonymous, small-town writer named Robert Hyma attempting to write another Weekly Post-Ed and this was my best idea.

            (In many ways, I think I’d take this material over the mice.)

            Still, through it all, I remember as the great philosopher René Descartes once said:

            “I think (I exist in other universes), therefore I am (probably happier there…minus the rodents).”

***

  1. “Rain On Me” (Purple Disco Machine Remix – Edit) by Lady Gaga, Ariana Grande, and Purple Disco Machine
  2. “Ring Starr” by Max Frost
  3. “Disposable Friends” by AVIV

***

Wishing everyone as well as you can be. You’re not alone out there,

May 18, 2022 0 comments
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