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| Weekly Post-Eds |

Weekly Post-Ed #68

by Robert Hyma May 8, 2024
written by Robert Hyma

THE WEEK AFTER

It’s been 10 days since I graduated Grand Valley State University with a Bachelor’s degree in English Literature. Where I thought the preceding week would feel like a triumph, it’s felt more like the fallout of a relationship. I’ve been walking around in a stupor, going through a mental checklist that no longer exists. What’s the next upcoming class? The next test? There’s nothing there—just a void of who I used to be just a fortnight ago. Being in college has defined my life for the past 18 months. And now…nothing.

I’m not longer ‘Robert Hyma-in-pursuit-of-his-BA.’

Today, I’m ‘Robert Hyma-Ok-I-have-my-BA-now-what?’

The plan was to immediately transition into a tenacious job-hunt the day after graduation, which has happened. I’ve compiled a newly printed resumé, updated LinkedIn, and have set up profiles on Indeed and ZipRecruitor (as well as GVSU’s Handshake networking system) to begin the journey to finding a career.

The problem, as some of you are spotting immediately, is that this process is coming a tad late in the game. Most of my classmates have filled their summer schedules with unpaid internships (modern day indentured servitude—but with a maybe/sorta reward of a resumé bullet point afterwards). Maybe I resisted this path because I’ve had a sorta/kinda career path before resuming college, but I assumed a degree would grant instant entry into the jobs I was not qualified for previously. I just needed a piece of university stationary that said I was now qualified for a more enticing career.

Right?

Yes and no. The path to any career is mysterious, often defined by a mixture of the type of person, the era, the culture, and valued skillset. Still, stupid is stupid, and I may have made life more tedious than it needed to be by focusing on my studies so intensely.

The real trick of college is to have one foot in and out the door: Excelling in coursework while simultaneously leveraging this achievement into the working world.

And it all sounds like a great plan until reality sets in—college students are merely human beings. I’ve often been amazed by my classmates who have worked menially paying part-time jobs, coming into young adulthood and confronting identity with new groups of people, how to date and find love (if at all), combatting a hyper-aware society forever wired into the age of the internet, prone to constant comparison, success in every aspect of life a requirement for happiness, pride, wealth, and then to somehow find the clarity of a career path that begins IMMEDIATELY after being handed a diploma placeholder at Graduation.

In other words, there’s a strange dissonance with everyone graduating college: “I’m an adult now, why am I not successful yet?”

***

GRAD REBOUNDING

I’m finding it difficult to cut the cord of the past 18 months. Perhaps I’m alone, but the adrenaline of graduation has worn off and now I’m facing a new frontier with new landmarks and people with blurred faces. Everything is new, which is both exciting and terrifying, but it doesn’t discount the old. When I think about graduating college and moving on, it feels like trying to find a rebound after going through a breakup. 

I had this discussion with a classmate the day before graduation took place:

ME: “Are you walking this weekend?”

HER: “No. My boyfriend did last year, and we waited two hours to hear his name. And then he walked across the stage in about four seconds. It’s a huge waste of time. I’m not walking. Are you?”

ME: “Yeah. I’ve never walked before.”

HER: “Good luck. I’m ready to be done with this place. I could care less about walking. I’m ready to move on.”

There it is: “I’m ready to move on.” She’s been emotionally done with college for a while. Most seniors in college are. Attending classes, taking exams—it’s all rote and mechanical procedure in the weeks before graduation. Why can’t life just be all the things we’ve been preparing for?

While I understand this logic, I think it’s important to attend a ceremony at the start and end of things. The Olympics has its Opening and Closing Ceremonies, marriage its wedding and divorce proceedings, and college has its convocation and graduation. There’s something necessary in attending the start and close of a journey.

Most of my classmates were packing in a hurry to get on with “living”. But what has the past four years of college been if not a significant growth spurt? In that time, most students start in their teens, age into young adulthood, experience sex and alcohol on a consistent basis, and somehow develop an independence that is (hopefully) means not returning to the way things were before arriving on campus. Why does living take place only after the journey ends when so much living has taken place the entirety of an undergraduate degree? Blame it on age, but I disagree that college is a ceaselessly tiring and punishing gauntlet that must be endured in order to “get on with life”. In the aftermath of graduation, I think the past ten days have been necessary to process what the hell has taken place.

That’s my clouded and congested conclusion at this juncture: I’ve been lost and adrift not as a reflection of my inability to cope and move on to a new era, but as a meditation about the old one. 

This is what it means to move on in a healthy way.

Just, try not to eat meals with serving sizes befitting a roaming buffalo or binge watch the entirety of Netflix’s “for you” category as a way of numbing out. 

It’s better to feel the listlessness in the aftermath of graduation than run from it. The point is to feel all the things you must right now.

Otherwise, it’s a rebound into something else.

Might as well have applied for internships, then.

***

PARTING KNOWLEDGE

Before my final exams, I made a point to ask my professors what advice they would give their younger selves if they could. More specifically, I asked:

“What do you know now that you didn’t when you were younger?”

Here are two noteworthy responses from my professors:

First Professor:

“I once had a therapist that said, ‘It’s like you’re hauling around an extension ladder’. By that, she meant that I was looking far ahead into the future, while reaching way back into my past. If you’ve ever carried an extension ladder before, you know how awkward it is to walk around with. But that’s how it feels to think so much about the future and constantly dig through the past—there’s no pivoting without knocking into something you didn’t need to.

“So, I asked the therapist, ‘What do I do about the ladder?’ and she said, ‘Carry a smaller one.’ Since then, I understood how unimportant it was to worry about the future and the past. None of that defines you. What matters is keeping versatile in the present. That’s where everything is happening anyways. And with a smaller ladder, you can still get up and down when you need to, just with manageable heights. It’s much more useful, I’ve found.”

Second Professor:

“I once took such pride in being introverted, until I realized it was largely an excuse to protect myself. I loved to go off by myself and think, or write, or do whatever, but always at the expense of talking with anyone. As you get older, you find the reasons you do things are not practical so much as practiced. I wanted to be an introvert more than I ever was one. And ever since I gave up on the label, I’ve been much more willing to have conversations with anyone and everyone. It hasn’t left me tired and exhausted but inspired. I have so many more good people in my life because I gave up on the illusion of introversion as an identity.

“So I would say: Rethink what you cling to for identity. Often, it’s just a way of protecting yourself instead of being open to new things and people.”

***

Lastly, if you haven’t checked out the recent playlist from Quarter One of this year, I highly recommend it. There’s something there for everyone. Feel free to list your most noteworthy songs of the past while in the comments below!

Robert Hyma’s Q1 – 2024 Playlist

***

Wishing everyone as well as you can be. You’re not alone out there,

May 8, 2024 0 comments
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| Weekly Post-Eds |

Weekly Post-Ed #47

by Robert Hyma October 26, 2022
written by Robert Hyma

Down With Paragraphs

It’s good to see you again, it’s been a while, jibber-jabber, jibber-jabber, it’s good to be back, you look great, obviously! 

But hey, let’s get to the point:

My new stance on paragraphs: I’ve been painstakingly formatting Weekly Post-Eds with indentations since this website began, but I’m slowly coming to understand this is NOT the preferred formatting on the rest of the internet. And, I already knew that before indenting, but I’m doing away with it for the pain-in-the-ass reason that not all browsers/viewing experiences mesh well with indentations. Sometimes indentations appear correctly, like so:

            “Hey, I’m a happy indented line! Don’t I look nice and formatted?”

But other times sentences look like this:

                                                            “What the hell happened here, Robert? Why are you starting in the middle of the page? What in the f*** is wrong with—”

You get the point. So, for the next while I’m joining the ranks of the rest of the internet and nixing paragraph indentations. It’s a test run, but I’m assuming it will stick around.

Ironically, in my personal writings, I never indent paragraphs. Funny how I do the opposite when presenting my writing.

Anyway, onto more indentation-less goodies.

***

She-Hulk Thoughts

The latest experiment from the Disney+ Marvel Cinematic Universe was another attempt to improve the streaming service television formula. She-Hulk: Attorney at Law followed the sagas of Moon Knight, Loki, WandaVision, and Hawkeye, as each carved out a niche with their respective heroes and furthered the debate about what works and what does not within the scope of MCU limited series.

She-Hulk: Attorney at Law used a gimmick that no other show could, something that is inspired from the comic books: breaking the fourth wall. Jennifer Walters often speaks directly to us, the audience, about the state of things (the show, characters, lazy storylines, etc). Whereas breaking the fourth wall isn’t a new invention (especially with the recent duo of movies featuring Deadpool that did it so well), I couldn’t help but notice something was different about this iteration of the theatrical technique. Breaking the fourth wall wasn’t so much about addressing the audience or being socially aware of tropes within the superhero medium in this show; there was something else going on.

That’s why I waited to write anything about She-Hulk until after the show concluded. 

The show featured a refreshingly female take on the world of superheroes and what it means to be marginalized and stereotyped as another “Hulk figure”, something that mirrored the arduous and infinitely frustrating journey of being a woman in modern day America. Jennifer Walters combatted what the world thought of her, warping her own perceptions through a lens of pop-culture, modern gender roles, and exceptionalism (as well as the ugly underbelly of internet message forums that seeks to defame or destroy women entirely). 

The series was 9-episodes long, most of which were frustratingly comical or situational. “Where is this going?” I found myself saying to my computer monitor during the credits of each building storyline. There wasn’t a main villain, no obvious thread that connected to the movie universe, nor was there any discernable urgency for Jennifer Walters to overcome some mounting problem. I felt I was watching “a day in the life” of the protagonist as she assailed issues from all sides of the feminine spectrum.

I was frustrated, but I would come to understand that the seeming monotony and subtlety of the series was playing into the overall message of the show. 

And by the finale, everything would pay off in spades.

The finale of She-Hulk: Attorney at Law is one of the best I’ve ever seen in television. My earlier intuition that fourth wall breaking was leading to something more came true in the most visceral sense. The climax of the finale featured the usual mashup of characters, all combatting one another in a stereotypical and unfulfilling superhero fashion.

Until She-Hulk breaks the fourth wall a final time, literally breaking out of the Disney+ show.

Jennifer Walters was finished with the restraints that every other MCU streaming show has encountered until this point. It was a proverbial rite of passage to break free of formula and superhero tropes. The screen froze, She-Hulk surveyed the Disney+ desktop main menu, and enters another show to demand answers for why her show has been so directionless and kische.

I won’t spoil the rest. It’s a wonderful half-hour of television. Most importantly, I found that the monotony I was experiencing was purposeful, a slow realization that the subtle irritations Jennifer Walters faced on her journey were the public expectations of comic book fans from the internet, and also men with patriarchal views about outdated gender roles, and the total absurdity of finding true belonging in a world that wishes to pull a person a million different directions for the sake of fitting into an outdated and worn paradigm—even the superhero cliché. 

Ultimately, the show was asking how anyone (primarily women) can find their place in the world, one that makes sense and is liberating?

It’s a question that women face in nearly every facet of life, something that She-Hulk: Attorney at Law showed a glimpse of through the guise of a superpowered Hulk lady.

This was the best television show yet from Marvel Studios. I enjoyed the risk-taking and breaking of old formulas. It’s an exciting place to find the MCU exploring, and I can’t wait to see what other issues can be worked into the fabric of new characters. 

I’ll be rewatching She-Hulk: Attorney at Law. It’s the first time I felt that way about a Marvel Disney+ show thus far. Well done!

***

The Merry Blokes of Merry Wives

“The Merry Wives of Windsor” @ Grand Valley State University

Theater departments are doing the best they can. That’s the first thing to understand when attending student productions at any university. Some are better than others, but I often find that the ones that present student struggles give the most to talk about.

Before it appears that I’m a total duschbag to the handful of Grand Valley State University theater students that are polishing their acting chops on the stage, this is not my intention. I was a horrible actor in college (let’s be honest, things haven’t exactly improved with age in that department) and I understand it takes many at-bats to figure out what the hell to do with any character. I’m not criticizing the students…

But the Director on the other hand? Oh, let’s talk about those creative choices.

The play I saw last weekend was “The Merry Wives of Windsor”, a Shakespearean comedy about the sneaky exploits of the wives of the male protagonists too enmeshed in their own egos to see they are being easily manipulated. It’s a wonderful play and I enjoyed this viewing thoroughly enough.

Except for two reasons characters.

Shallow (a character given the modern makeover as leather-jacketed preacher) carries an entirely INCOMPREHENSIBLE Scottish accent. My date and I ratioed that we understood 1 in 5 words. Secondly, Doctor Caius is often portrayed as a bumbling Frenchman. This rendition, however, featured a French accent that often slipped into German pronunciations, then trailing into potentially Swedish accents. Needless to say, Doctor Caius had just as poor delivery as Shallow.

When the inevitable occurred and the two characters vomited lines of Shakespearean dialogue at one another in a scene featuring only those two cantankerous actors, it was pure drivel.

I don’t blame the students donning their roles. I blame the decision to give these actors the direction of being incomprehensible in a play by William Shakespeare, perhaps the greatest wordsmith in the English language! It was like the Louvre opting to paint lines over the Mona Lisa, or playing a laugh track over Beethoven’s “9thSymphony”.

Just…why?

After a few days of pondering, I think I know why these incomprehensible characters were allowed to gallivant the stage in this fashion.

And I think it gives a modern lesson: sometimes a car wreck is the most effective entertainment.

It was certainly that on a cold fall evening on GVSU’s Allendale campus.

As Shakespeare once commented on his own works: “Suck on that, Bard. I’ll say it how I want.”

(No, he did not say this.)

***

I’ve been listening to an entire album by Sure Sure called the “Lonely One” EP. It’s another solid release by a band that generates danceable hits and deep digs and themes with their music. Below is the track listing. Be sure to check out “Facc” “This Time” and “Funky Galileo”, some new favorites of mine.

“Lonely” EP by Sure Sure
  1. “Lonely One”
  2. “123”
  3. “Facc”
  4. “This Time”
  5. “Peaceful In My Mind”
  6. “Funky Galileo”
  7. “Receive”

***

Wishing everyone as well as you can be. You’re not alone out there,

October 26, 2022 0 comments
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