Weekly Post-Ed #40

by Robert Hyma
5 min read

CLUELESS ABOUT CLUELESS

            Apple Fitness has this masterful way of thematically curating music during workouts—and as it turns out a stint of Pilates (yup, not ashamed to admit it—Pilates kicks my ass) was rocking to the soundtrack greats from 90s romantic comedies, most notably 10 Things I Hate About You and Clueless. Since it has been a decade since I’ve seen the latter film, I loaded up my movie library Monday night and watched the cult comedy written and directed by Amy Heckerling.

            After the first ten minutes of the movie, I realized I had undergone a time warp. Watching Clueless today was nothing like when I first saw it at 10-years-old (yes, on television, those dark days before on-demand streaming services). What I was watching today was masterful moviemaking; but this wasn’t how I thought of Clueless as a kid. In fact, I don’t think I knew what to think of movies back then.

            At ten, I remember being aware of adult relationships but unsure of how they worked. Movies were the framework that I based my earliest experiences with girls on—a practice that landed me a 100% failure rate.

            When I first saw The American President starring Michael Douglas, for example, the first “flirtatious” move I learned was to compliment girls on their shoes—a famous Aaron Sorkin line from the film. This confused many girls who wore dated Nikes and grass-stained Adidas sneakers, as rightfully they should have been. The compliment was meant for dressing up at fancy State Dinners at the White House, not for footwear that befell the wear and tear of Michigan winters.

            I made a similar mistake after watching The Fast and the Furious when I thought a good move was to compliment a cute girl on her mother’s beat up red 1998 Grand Prix. “Your mom’s got a nice car,” I told her. She asked why I said this and I didn’t really know—I wanted to look knowledgeable about cars because that was impressive to girls in the movie.

            My rule was that if a movie said it, I should probably say it, too. Why else would these things be in movies if it wasn’t a cool thing to talk about?

            I don’t remember taking many social cues from Clueless, however. The relationships in the movie mystified me. For example, when Alicia Silverstone’s character, Cher, has a romantic fling with Christian, the new boy in school, I was COMPLETELY unaware of why the relationship didn’t work out and he abruptly left after their date. He seemed like everything she ever wanted, they seemed compatible…what more was there to it?

            I just assumed he was too cool for her…even though he didn’t compliment her shoes or her father’s make and model of car.

            Even after Donald Faison’s character, Murray, explains in the next scene during a disastrous car ride along a LA freeway, “He’s a cake eater!…He’s gay!” I still didn’t understand. I paused the movie trying to determine what “gay” meant at ten-years-old. I just knew people made fun of you for being it, but that wasn’t Christian in the movie. That guy was cool. He stood up for Brittany Murphy’s character, Tai, when she was held over the ledge of the upstairs railing at a mall. He gallantly pushed the two jerk guys who thought it funny. 

            If Christian was “gay”, gay seemed like the way to go.

            Coincidentally, a few years later, before the advent of my first girlfriend, there was a period of about two weeks when I seriously considered if I was gay or not. There was no evidence to speak of, but because I didn’t think all men looked yucky (think Brad Pitt or George Clooney at the time), I debated if other penises were in my romantic future. I guess I thought of being gay as a conscious commitment, like buying those orange/baggy cargo pants with a million little pockets down the sides. No one bought them unless they really wanted them.

            For the record, I wanted those orange/baggy cargo pants but never ended up purchasing them.

            I felt similarly about my choice with being gay—just didn’t make the purchase.

            (Go easy on me, I’m joking—I was 10-12 when I thought things worked this way.)

            Now, in the year 2022, I understand that Christian’s character from Clueless was a parody of 1950’s movie stars. He was a combination of members of the Rat Pack, with the wardrobe and slicked back hair donned by Marlon Brando. He even drove around in an old Nash Metropolitan, a car sold in 1953. All his lines are faux gangster, something that might have been said in the musical “Guys and Dolls“.

            I also understand now that Clueless is a sharp piece of satire and an homage to another literary work. The film is based on Emma, the famous Jane Austin novel about a young matchmaker proud of her ability to match up close friends and relatives with what she feels is best for them (except, she falls prey to the monsters she makes of them, leading to betrayals, etc). She must become humble, which mostly comes from the subtly flirtatious encounters of an older gentleman in her life (Paul Rudd’s character Josh in the Clueless) who wins her heart and ends her single-hood, as all romantic comedies must.

            The only thing that wasn’t lost on me at 10-years-old was that everyone in the movie didn’t look like sophomores in high school. They looked much older, much more mature than they ought to have been.

            Oh yeah! That, and the item donated to Cher during the canned good drive was pretty obvious. Some have said it was a bong, but I know that it was, in fact, a potato shredder (similar to a pencil sharpener, but for potatoes). They existed in the 90s (it did not) and were a dangerous kitchen utensil.

            Of that, I was correct at 10-years-old and still maintain that’s what the tinny device sorted as “Kitchen wear” was used for.

            Why else keep it in the kitchen?

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EVO 2022

            I’ll be brief: this past weekend was EVO 2022, the premiere fighting game tournament held in Las Vegas, Nevada every year. It’s a storied tournament that was particularly eventful this year for several reasons, many of which deserve its own post on this website. So, this Saturday Sunday at 8 PM, I’ll be posting an essay of this year’s event and the storylines that unfolded.

            Look out for that Saturday Sunday @ 8PM EST (Sorry all, put the wrong day! Sunday instead of Saturday)

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  1. “Tomorrow” by Young the Giant
  2. “Too Dramatic” by Ra Ra Riot
  3. “About Damn Time” by Lizzo

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Wishing everyone as well as you can be. You’re not alone out there,

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